Alle

Electronic / Party

Experimental

Global Sounds

Jazz

Jazz Experimental

Jazz Modern Creative

Pop / Rock / Singer / Songwriter

Rap / R'n'B

Rap / R'n'B / Brass

Soul / Blues / Funk

Nikki Hill

Vocals

Guitar

Bass

Drum Kit

Anyone who has experienced Nikki Hill singing her heart out knows that this woman is like a thunderbolt! Loud, bright and electrifying! Together with husband and guitarist Matt Hill and her ‘Pirate Crew’, the North Carolina-born singer is finally bringing her unmistakable Deep South Soul back to Moods. With unfiltered energy, they take on all varieties of American roots music and deliver a sound that makes you believe in rock and roll again.

Zürich Jazz Kollektiv feat. Alex Sipiagin

Trumpet

Sopransaxophon

Tenorsaxophon

Altsaxophon

Flute

Trombone

Piano

Victoria Mozalevskaya

The Zürich Jazz Kollektiv is a new contemporary jazz ensemble born out of the desire to create a creative network of local musicians to represent, cultivate and develop contemporary jazz in Switzerland. The ensemble sees itself as a platform for musical innovation and collaboration that both enriches the genre and strengthens and inspires the community of local jazz musicians. The collective&#x27;s music is penned by its founder, tenor saxophonist Victoria Mozalevskaya, and unfolds through the ensemble&#x27;s collaborative vision in energetic live performances and sophisticated arrangements. Joining them for the grand opening is none other than Alex Sipiagin, a longtime member of the big bands of Charles Mingus and George Gruntz and a fellow musician with jazz greats such as Dave Holland and Randy Brecker.

Ashley Henry

Here, structures are broken up and boundaries are explored! London-based pianist and singer Ashley Henry mixes jazz with neo-soul, hip-hop and R&#x27;n&#x27;B in his compositions. The result is a groovy sound that offers room for breakbeats as well as Henry&#x27;s lyrical and playful piano solos. In a short space of time, Ashley Henry has developed from a newcomer to an important voice in the British jazz scene.

Zurich Jazz Orchestra feat. Theo Bleckmann

Leitung

Saxophon

Baritone Saxophone

Bassposaune

Tuba

Flugelhorn

Zurich Jazz Orchestra feat. Theo Bleckmann 

Ed Partyka and Theo Bleckmann have worked together on several projects in Germany and Finland since 2007, and as Theo is the new jazz vocal teacher at the ZHDK, a collaboration with the ZJO was but a matter of time. Originally this was supposed to happen last season, but unfortunate circumstances made a postponement necessary. Ed Partyka will arrange Theo&#x27;s own compositions as well as a broad repertoire ranging from jazz standards to songs by Kate Bush for Theo&#x27;s unique voice and combine them with the many interesting instrumental textures and timbres of the Zurich Jazz Orchestra. A very special vocal jazz concert. Theo Bleckmann is a multiple GRAMMY®-nominated singer, composer and ECM recording artist who has recorded more than 17 albums and collaborated with artists such as Ambrose Akinmusire, Sheila Jordan, Kneebody, Ben Monder, John Hollenbeck, Phil Kline, David Lang, Ulysses Owens, Bang on a Can All-Stars and, most notably, Meredith Monk since 1994. Bleckmann was interviewed by Terry Gross on the NPR program Fresh Air and appeared on the David Letterman Show with Laurie Anderson. He consistently tops the DownBeat polls, and in his home country of Germany he was awarded the prestigious JAZZ ECHO by the German Phono Academy.

Dr.O.G.E

E-Gitarre

Orgel

Dave Gisler

Two musicians invent a new state of intoxication: no drugs, just drums, organ and electric guitar. Valeria Zangger, Dominik Blum and Dave Gisler leave times and styles behind when they create their music. Motifs, essences and quotations are taken from the pool of rock, pop and their own musical worlds and catapulted into new dimensions through improvisation. The result can be a cross between Pink Floyd and free jazz, or a noise prayer with Jimi Hendrix and Arnold Schoenberg. This trio was initiated by drummer Fredy Studer, who died unexpectedly in August 2022. Valeria Zangger is now on board, with a stylistic spectrum ranging from pop music to experimental and free improvisation. The interweaving of the most diverse musical hallucinations characterises the trio and is the chemical formula for their explosive fuel. What they have in common is the desire to create energetic sound processes inspired by the history of rock and jazz, which vibrate atmospherically in the free play of encounters and can grow into powerful vibrations.

Zurich Jazz Orchestra feat. Thomas Gansch

Album Release «Neat Little Songs»

The long and very fruitful artistic relationship between Thomas Gansch and the ZJO has now been immortalized on a studio recording. This new CD will be presented on May 22nd at Moods. The program consists exclusively of compositions by Thomas Gansch, arranged by Ed Partyka. In addition to Thomas, the soloists of the ZJO can also be heard extensively. The music is profound and humorous at the same time and combines elements of jazz, classical and folk music with unexpected detours into the world of film music and 20th century pop culture. Almost exactly eleven years have passed since Thomas Gansch&#x27;s first performance with the ZJO. Today he is a good friend of the band and a favorite of the ZJO audience. The basic concept therefore remains the same for the joint CD: musical fireworks, fun, unconventional, crazy. Gansch and the ZJO have already performed everything imaginable together: Gil Evans, Don Ellis, their own music. And Thomas Gansch&#x27;s own music can now be heard on the new CD. Thomas Gansch and Ed Partyka have known each other for half an eternity. They met in 1999 at the Vienna Art Orchestra, and later Ed Partyka also played in Thomas Gansch&#x27;s band Gansch &amp; Roses. We have known each other for so long, but until now I have never had the opportunity to arrange his music for a jazz orchestra. I am very pleased that this has finally become possible and that we can present this special program with new arrangements with the ZJO on a joint disc, says Ed Partyka. Thomas Gansch not only has a keen awareness of the history of popular music and jazz, his roots also extend to Alpine folk music and the entire history of European classical music. All this profound knowledge is wrapped up in Viennese humor and presented with a great stage show and virtuoso trumpet playing. Listening to him, you get the impression that playing the trumpet is very easy.

The lower floor of the club is at ground level and accessible without steps. There is one accessible bathroom which can be used with a Eurokey. The bar is not accessible and is approximately 1.20 metres high.
Sensory stimuli: Most concerts are accompanied by moving lights and smoke.
For sold-out or well-attended concerts, it is worth arriving early.

Are you unable to stand for a long time or do you need other support for your visit? Then get in touch by email or phone: info@moods.ch or 044 276 80 00.

Moods members are guaranteed admission to every event until 30 minutes before the concert starts. Only shows with a high demand require a reservation. The corresponding concerts are marked on the website with "Member-Reservation".

Moods is reached via the main entrance of the Schiffbau at Schiffbauplatz. We recommend arriving by public transport (streetcar 4 or 8 / bus 72, 83 or 33 to Schiffbau; S-Bahn to Hardbrücke station and from there approx. 2 minutes on foot).
Parking spaces are available under Hardbrücke and in the Pfingstweid-/Hardstrasse parking garage.

Bassekou Kouyaté & Amy Sacko

Ngoni

He is “a genius and living proof that the blues comes from Mali,” says Taj Mahal about his colleague Bassekou Kouyaté. He is the undisputed master of the ngoni (traditional West African long necked spit lute), which he has made internationally known by adding additional strings and using effects devices. With his extraordinary dexterity, he creates soundscapes that lie somewhere between blues, jazz and traditional Malian music. In his traditional Griotprogram “Folo Djelia” he reinterprets his parents&#x27; music and is accompanied by his wife, the fantastic singer Amy Sacko. A concert with a chamber music character that gets under your skin.

Adi Oasis

Keyboards

Hailing from the French Caribbean and living in Brooklyn, Adi Oasis is currently taking the music world by storm. Since launching her solo career in 2018, she has performed with Anderson .Paak, Gregory Porter, JUNGLE, Masego, Thundercat, appeared at festivals such as the Newport Jazz Fest, Love Supreme or Montreux Jazz Festival and the stream of rave reviews just won&#x27;t dry up. On her debut album &quot;Lotus Glow&quot;, released in 2023, Adi Oasis combines her retro-futuristic signature sound, her soaring voice and her spectacular bass playing to create a very personal and political work that particularly reflects the reality of her life as a Black female immigrant in America. &quot;Lotus Glow represents the flower I&#x27;ve blossomed into, the artist I&#x27;ve worked on becoming all my life. The glow is where I am going next. It&#x27;s my destiny.&quot;

Luedji Luna

Percussion

Sampler

Disk Jockey

Moods Summer Special

Singer and songwriter Luedji Luna is a prominent name in the Brazilian music scene. Winner of numerous awards and nominated for the Latin Grammy Best MPB Album in 2022, she soon achieved notoriety far beyond the country&#x27;s borders. Her music explores and celebrates the connections between her homeland and her African roots, and addresses the marginalizations of Afro-Brazilians and women in Brazil. This theme, coupled with her soulful voice, carries an infectious energy that is already palpable in her albums or online at the NPR Tiny Desk Concert, but especially unfolds live into an unforgettable musical experience. Afterwards DJ Sampa will play the best tracks from Forró, Samba-Rock, Gafieira and Tropicalia. This event takes place in cooperation with Adalu: https://www.adalu.ch/

Asmâa Hamzaoui & Bnat Timbouktou

Guembri

Qraqeb

Asmâa Hamzaoui and Bnat Timbouktou (the daughters of Timbuktu) represent a new generation of young women Gnawa performers, breaking new ground in a traditionally patriarchal realm. Asmâa Hamzaoui assimilated the Gnawa musical tradition from a young age through her father, renowned musician Rachid Hamzaoui, learning to play the guembri (three-string lute) from an early age and later accompanying him at celebrations. She formed Bnat Timbuktu in 2012, gradually winning over audiences, until their breakthrough invitation to the Gnaoua Festival of Essaouira in 2017. Their taboo-busting performance, and jamming with Fatoumata Diawara, won them invitations to major festivals in Europe and the USA, even without a recording to their name. Asmâa still comes up against opposition from some Gnawa traditionalists but as she says: “They can talk, but here I am working and they’re just talking.” This concert recording was made with the support of Migros Culture Percentage.

Seun Kuti & Egypt 80

Congas

Stormy music, merciless rhythms and an incredible groove: Seun is the son of Fela Kuti, the founder of Afrobeat, which once set Nigeria’s dictators in fear and panic. During his concerts, the young Seun – who is equally singer, soloist and saxophonist – reflect his father’s anger, yet has the charisma and wit of a great entertainer. Even as a child, Seun was part of Fela’s legendary band, the Egypt 80, which still accompanies him to this day. Seun plays Afrobeat in the family tradition and breathes his own, fresh spirit into them with influences from Rap and Hip Hop. A few months ago he released an EP with three new songs, co-produced by Robert Glasper.

Popa Chubby

Popa Chubby is back! Chubby, officially known as Ted Horowitz, embodies the pure power of unrestrained American Blues-Rock. Now Chubby has finally released a new album: “Prime Cuts” (2018) is a collection of the best songs of his 30-year career; for example, “Sweet Goddess of Love and Beer”, which provided him with his breakthrough, or audience favourites such as “Life is a Beatdown” and “San Catri”.  A concert that celebrates the pearls of Popa Chubby’s works.

Zurich Jazz Orchestra feat. Brandy Butler

Brandy Butler sings Billy Strayhorn

Following the successful last season&#x27;s joint ZJO/Brandy Butler concert, the songstress has been invited for a second project. Billy Strayhorn was 24 years old when he joined Duke Ellington and remained loyal for the entire duration of his short life. He was to a large part also responsible for the sound of the orchestra and was considered as one of the most prominent jazz composers and arrangers. The adjective «meaningful» without doubt also applies to his song texts, the majority of which he penned himself. In contrast to many not-so-deep jazz standard lyrics, Strayhorn&#x27;s texts are intelligent, witty and often unconventional. So, for example, the track «Take the A-Train» is route information to Ellington&#x27;s house wrapped up in a melody, which Duke explained to Strayhorn by telephone for their first encounter: «You must take the ‹A› train, to go to Sugar Hill way up in Harlem». Brandy Butler describes Strayhorn as one of her favourite composers and writers and during the evening will sing tracks like «Passion Flower» and «Satin Doll» in addition to «Take the A-Train». She grew up in America, studied music in Philadelphia Musik and in 2003 came to Switzerland as an au-pair. Soon she was singing with the greats such as Sophie Hunger, Florian Ast and the rapper Steff la Cheffe. She can also evidence a notable solo career with bands such as «Chamber Soul» or her current project «Brandy Butler and the Brokenhearted».

Remember Häns'che Weiss feat. Bireli Lagrène

Häns’sche Weiss, who died last year, was one of the most prominent exponents of gypsy jazz. For the French guitar virtuoso Biréli Lagrène, he was even the decisive source of inspiration to learn to play the guitar. Weiss‘ long-standing bassist, Vali Mayer from Zurich, and guitarist Holzmanno Winterstein invite Biréli Lagrène as an honourable guest to revive the musical works of Häns’sche Weiss. A homage to Gypsy Jazz!

Maya Kamaty

With a blend of electronic elements, the typical island percussion and string instruments and the poetic Creole sound, Maya Kamaty effectively re-invents the music of La Réunion island. Yet, she never actually wanted to become a musician. It all began when she was studying in France and became homesick that she started writing songs, then mixed the French Chanson tradition with influences from La Réunion and subsequently began to introduce more electronics into her music. The result is a fascinating equilibrium between local and global, between acoustic and electronic, between the past and the future.

SOYUZ (СОЮЗ)

Fender-Rhodes E-Piano

SOYUZ is a creative collective from Minsk, Belarus, that combines the rich sounds of classical Brazilian music with a modern, global perspective. ‘Force of the Wind’, the third album of the trio consisting of Alex Chumak, Mikita Arlou and Anton Nemahai, builds unexpected bridges between the Música Popular Brasileira of the 70s and today&#x27;s Belarus. With a mixture of Russian and Portuguese lyrics, cosy-warm sounds and jazzy-groovy beats, SOYUZ create emotional compositions and wonderful, nostalgic moments that transcend language.

Golnar Quintet

Moods & jazzhane present

Born and raised in Tehran, the Iranian-Canadian singer and multi-instrumentalist Golnar Shahyar understands music as a political act. Drawing equally from the traditions of Southwest Asian, North Africa, and contemporary music of Europe and America, she creates an extraordinary mixture of languages and styles. She dedicated her last tour to the slogan Woman* Life Freedom in the light of the ongoing revolution in Iran. With her current song &#x27;Tell my mother she has no daughter anymore&#x27; she touched thousands of Iranians at home and abroad. With the festival pass for CHF 80, you can visit both evenings of the Nowruz Festival 2024: https://discover.smeetz.com/de/product/b2b/nowruz-2024-festivalpass?referrer=preview&amp;productId=65277 Supported by the Südkulturfonds.

Egopusher - 10 Years Celebration Rave

Violin

Electronics

If you&#x27;ve ever seen Egopusher live, you&#x27;ll definitely remember a unique, epic live experience that makes every cell in your body vibrate and makes your head spin. On 11/22/2013 they played their first concert at the legendary offspace Perla Mode on Zurich&#x27;s Langstrasse. Since then, the band has toured Europe and Asia with their idiosyncratic blend of electronica and neoclassical music and released four albums, the last two of which were released on the Zurich-based label Quiet Love Records. This year Egopusher celebrate their 10th anniversary and therefore invite you to the 10 Years Celebration Rave at Moods. It may and must be danced!

Dino Brandão

Swiss artist of Angolan origin Dino Brandão summons his rich influences in a vibrant fusion blending continents and languages. Surrounded by his instruments and stomp boxes, the former street musician vacillates between sunny psychedelic melodies and melancholic afro-folk tunes. After releasing the well-acclaimed collaborative album ‘Ich liebe Dich’ with Faber and Sophie Hunger, Dino is now preparing his first single due out this year.

The Lesson GK

From the New York underground to the Moods stage: in 2012 The Lesson GK started a common weekly jam-session, which became the cornerstone of the New York underground Hip-Hop scene. The band comprises prominent New York background musicians, so they toured with Reggie Watts, SZA, Lupe Fiasco and Run DMC, to name but a few. They seamlessly blend elements of experimental Hip-Hop, Jazz, Funk and Soul into a groovy sound. 

Manon Mullener & Cesar Correa feat. David Stauffacher

♪♫♪♫♫♪♫♪♪♫♪♫♪  Piano ENCOUNTERS Festival

Chico Freeman Group

Vibraphon

Musikalische Leitung

Trompete

Posaune

Gitarre

Schlagzeug

Die langjährige und sehr fruchtbare Partnerschaft zwischen Thomas Gansch und dem Zurich Jazz Orchestra wird auch dieses Jahr fortgesetzt. Neben Repertoire aus der Vergangenheit wird es auch neue Arrangements geben, die von Ed Partyka speziell für dieses Konzert geschrieben wurden und die Thomas Gansch als Komponisten und Multi-Instrumental-Solisten, aber auch als liebenswürdiges ‹Enfant terrible› präsentieren. Sicher ist, dass die wunderbaren Musiker*innen des ZJO für einige musikalische Überraschungen sorgen werden. Sicher ist auch: Band und Publikum werden einen unvergesslichen Abend erleben.

Elina Duni Trio feat. Rabih Abou-Khalil

Gesang

Flügelhorn

Jurykonzert

Die 1981 als Tochter einer Schriftstellerin und eines Regisseurs in der albanischen Hauptstadt Tirana geborene Elina Duni stand im Alter von nur funf Jahren erstmals auf einer Bühne. Seit ihren ersten musikalischen Schritten in Radio und Fernsehen hat sich viel getan: Heute ist Elina Duni ECM-Künstlerin und seit 2017 Preisträgerin des Schweizer Musikpreises. In diesem ZKB Jazzpreis Special trifft der Oud-Virtuose Rabih Abou-Khalil auf das Elina Duni Trio mit Marc Méan und Matthieu Michel. Eine einmalige Konstellation, die wohl so einige goldene Momente mit sich bringen wird. Das Konzert fand im Rahmen des ZKB Jazzpreis statt.

Zurich Jazz Orchestra Funk Night

Joseph Bowie’s Big Band Funk - The Legendary Music of Defunkt

Joseph Bowie ist der Bruder des Big-Band-Musikers Byron Bowie und des Mitbegründers des Art Ensemble of Chicago, Lester Bowie. Joe selbst gründete 1978 die Punk-Funk-Jazz-Gruppe «Defunkt». Die Band veröffentlichte in den 1980er Jahren mehrere genreübergreifende Alben, und ihre Musik wurde als «einer der abenteuerlichsten Sounds des letzten Viertels des 20 Jahrhunderts» bezeichnet. In den letzten 20 Jahren hat Joe Bowie auch daran gearbeitet, diese Musik für Big Band zu adaptieren. Einer der Arrangeure, mit denen Joe seit 2011 zusammenarbeitet, ist Ed Partyka. Das ZJO freut sich auf einen energiegeladenen Abend mit tanzbaren Hits aus der langen Geschichte von «Defunkt».

Orchestra Baobab

Timbales

Letztes Jahr feierte das Orchestra Baobab, eine der grössten Bands Afrikas, ihr 50-jähriges Bestehen. Ihre Geschichte beginnt im Herzen der Medina von Dakar im Senegal der späten 1960er Jahren und erstreckt sich über die ganze Welt und bis ins 21. Jahrhundert. Die Gruppe aus Sängern und Musikern vom ganzen Kontinent spielen eine Mischung aus afro-und lateinamerikanischen Stilen, internationalem Pop und traditioneller Griot-Musik. Nach dem ausverkauften Konzert vom letzten Jahr kehrt die Band diesen August zurück ins Moods. Vor und nach dem Konzert werden die beiden DJs Afreekaya &amp; Voilà Tim auflegen.

Schmidi Schmidhauser & The Hasta Luegos

Akkordeon

Abschiedskonzert

Welch ein Glück: Frau Schmidhauser ersteht eine Gitarre, findet jedoch nicht genug Zeit, um zu üben. Also übereignet sie das Instrument ihren Buben. Beat und Jürg machen nicht lange Federlesens und rocken los. Einige Zeit danach spielt Beat, inzwischen zum Schmidi gereift, mit 14 Jahren seinen ersten Gig. Heute, rund 1500 Konzerte und 46 Jährchen später, beglückt uns Schmidi zum letzten Mal live, denn – und zu unserem Bedauern – «es ist genug des Guten.» Er will sich fortan Dingen widmen, die in all den Jahren zu kurz gekommen sind und somit zwar nicht kürzertreten, aber breiter wirken. Unbeschreibliches hat Schmidi auf tausendundeiner Bühne erlebt, unterwegs mit «Stop the Shoppers», «HOT DC», «Los Hobos», «Chica Torpedo», «Traktorkestar», «Oso loco», mit Polo, Kuno, Endo, Büne, Sina, Lo &amp; Leduc – und immer wieder mit Jürg/Jiri, dem geliebten Brüetsch. Also dann: Bühne frei! Vor unseren Augen und Ohren schaltet Schmidi seinen Modus um: vom Künstlerleben zum Lebenskünstler.

Evelinn Trouble Orchestra

Violine

Bratsche

Cello

Evelinn Trouble

Ein Jahr nachdem ihr fünftes Studioalbum Album «Longing Fever» den ‹Indie Suisse Album Of The Year Award› abgeräumt hat, ist Evelinn Trouble mit ihrer Band wieder auf Tour. Evelinn Trouble, bekannt für ihre kreative Rastlosigkeit, ihre virtuose Stimme und ihr eigenwilliges Songwriting hat ihrer Diskografie mit «Longing Fever» ein aufregendes Pop-Werk hinzugefügt – ein Bruch mit ihrer Psychedelic-Ära und trotzdem unverkennbar Trouble. Ein spannendes Album, das Höhen und Tiefen mit Inbrunst durchläuft und von beatlesken Liebesliedern zu euphorischen Melodien reicht, die von verzerrtem Hip-Hop getragen werden. Unerwartet gesellen sich neu Klänge von Streichinstrumenten zum sonst dunklen Klanguniversum der Zürcher Sängerin: Ein Streichtrio erweitert die Band zum «Evelinn Trouble Orchestra». Diese Konzertaufnahme entstand mit Unterstützung des Migros-Kulturprozent.

Yarima Blanco Y Son Latino

Tres

Perkussion

Yarima Blanco ist eine herausragende Tres-Cubano-Spielerin und eine der wenigen ausserhalb Kubas, die dieses einzigartige dreisaitige Instrument beherrschen. Mit ihrem eigenen Septett Son Latino verbindet sie verschiedene kubanische Stile mit lateinamerikanischen Einflüssen. Ihre mitreissenden Auftritte zeigen nicht nur ihre beeindruckende Technik auf der Tres, sondern auch ihre starke Stimme und ihr Charisma. Blanco perfektionierte ihr Können während eines mehrjährigen Studiums in Kuba und avancierte schnell zu einer gefragten Künstlerin, die auch mit dem Orchester ANACAONA in der internationalen Jazzszene für Aufsehen sorgte. Pancho Amat, internationaler Meister des Tres Cubanos, beschreibt Blancos Talent als aussergewöhnlich.

Summer Pearl

Aus ihrer Heimatstadt London heraus erobert die Sängerin Summer Pearl zur Zeit die Musikwelt im Sturm. Ihr Sound aus Jazz, Soul, Hip-Hop und Dub, der an diejenigen der grossen Eryka Badu erinnert, ist mächtig und zugleich berührend. Summer Pearl beschreibt ihn als «eine Meditation über meine Vergangenheit und eine Reflexion über unsere Gegenwart. Sie ist sowohl eine persönliche als auch eine politische Botschaft, die sich mit der schwarzen und weiblichen Befreiung sowie mit gewonnener und verlorener Liebe beschäftigt.»

Alina Amuri + Special Guests

Flöte

Synthesizer

Sousaphon

Album Release im Moods

Alina Amuris Plattentaufe findet im Rahmen des Schiffbaufestes statt. Das Konzert ist gratis, wir bitten unsere Gäste aber über den Ticketlink einen Platz zu reservieren, um garantierten Einlass zu haben. Mit unterschiedlichen kulturellen Einflüssen sowie einer lebendigen und mutigen Botschaft gelingt es Alina Amuri, magische musikalische Momente zu kreieren. Die in der DR Kongo Kinshasa geborene und in der Schweiz aufgewachsene Sängerin und Multi-Instrumentalistin hat in den letzten zehn Jahren ihren eigenen, hausgemachten Stil zwischen Afro, Neo Soul und Trip Hop entwickelt. Eine unvergessliche Stimme trifft auf kongolesische Perkussionsfreude und überraschende Flöteneinlagen und setzt Kräfte frei, bei denen der Optimismus zurückkehrt und das Tanzen unausweichlich wird. Ein Sound, der ein neues Gefühl der Zusammengehörigkeit schafft und das Versprechen, dass alles gut werden wird. Alina Amuri verbindet in ihrer Musik Einflüsse aus Lauryn Hill, Nina Simone und Alicia Keys mit einem frischen, lebendigen Twist. Alina wurde schon für SRF 3 Best Talent ausgewählt, war schon für den wichtigsten Schweizer Musikpreis nominiert (Swiss Music Awards) und gewann mit ihrem letzten Album (Chasing Traces) den Swiss Live Talent Award. An diesem Konzert wird Alina Amuri ihr nächstes Studioalbum «Back To You» vorstellen. Es ist die bisher persönlichste Platte und erzählt von ihrer Reise zurück in ihre Geburtsstadt Kinshasa, zurück zu ihren familiären Wurzeln.

OORT CLOUD

Finale

OORT CLOUD concentrates on the expansion of the classical guitar trio sound and discover new, unconventional ways of interaction, composition and improvisation. The instrumentation loses its typical role models through the experimentation with preparations, electronic effects, playing techniques, together with sophisticated concepts for composotion and improvisation. The concert took place as part of the ZKB Jazz Prize.

Bergerausch

Shake Stew

With A Shake Stew, Austria&#x27;s Jazz band of the hour, much is extraordinary. Starting with the line-up: two drummers, two bass players, two saxophones, a trumpet. Quasi two trios plus one. Their comet-like ascendance is also without parallel: a sold-out debut album, a closely-watched collaboration with Shabaka Hutchings and performances at all the renowned Jazz festivals from Frankfurt to Montreal, from Istanbul to Mexico, speak for themselves. And then there&#x27;s that sound: driving rhythms, the horns sometimes blaring, sometimes virtuoso, sometimes melodious, borrowings from Afrobeats, Funk and Swing. Music that reveals a hypnotic spell, one wants to soak up every note, to dance, to shake oneself and hope that it will never stop.

Kush K

District Five

Live Elektronic

Mara Micciche aka IOKOI vertont «Häxan»

«Streamed concert only, no audience»

Jacob Karlzon, Benjamin Koppel, Scott Colley, Magnus Öström

Portable Infinity

Portable Infinity is the name of the Scandinavian-American project. The All-star quartet not only has jazz history with it, but also personal meetings with greats such as Pat Metheny, Herbie Hancock, John Scofield and Esbjörn Svensson. A lot is connected here: the long experience, the openness to new things and the pure desire to play. “As a child I was always inventing something,” says Benjamin Koppel. “I invented a whole world and a language for this world. I use all that in my music.” The Danish saxophonist and award-winning novelist is a defining figure of European jazz, always in exchange with the American tradition. In the quartet he meets the magically grooving drummer Magnus Öström – a former member of the legendary EST, the incredibly versatile bassist Scott Colley and the energetic pianist Jacob Karlzon, for whom every concert is an event: “For me, performing live in front of an audience is the original place for music, an ecstatic experience for both sides.”

Zurich Jazz Orchestra

Tribute to Bill Holman 

Big band musicians around the world mourn the passing of master composer and arranger Bill Holman, who died on May 6, 2024 at the age of 97. His long and prolific career spanned seven decades and produced hundreds of compositions and arrangements that have become beloved core repertoire of big bands and favorites of their audiences around the world. The last time Bill Holman was in Switzerland (2014), he conducted a concert of his music with the Zurich Jazz Orchestra, which remains one of the most memorable performances in the ZJO&#x27;s long history. Our musical directors Daniel Schenker and Ed Partyka met in 1996 as members of the Generations Festival Big Band in Frauenfeld, which was conducted by - you guessed it - Bill Holman. The Zurich Jazz Orchestra will celebrate the wonderful music and long life of Bill Holman on March 27, performing some of his most popular works as well as some rarely heard gems that highlight the orchestra and its outstanding soloists.

Ingoma Busuku

Jonas Ruther

The story of Ingoma Busuku began with an initial contact between Jonas Ruther and South African saxophonist Linda Sikakhane. Mediated by Nduduzo Makhathini, the two had originally planned to tour Switzerland in 2020. However, due to the pandemic, the tour had to be postponed several times before finally taking place in 2022. On the subsequent tour in South Africa, they also performed with singer Paras Dlamini. This tour will be his first appearance in Europe. The band&#x27;s name &#x27;Ingoma Busuku&#x27; also comes from the South African singing tradition and means &#x27;song of the night&#x27; in isiZulu, referring to the lyrics, which are deeply rooted in the Zulu tradition and at the same time reflect universal themes such as love, spirituality and connection to the ancestors. The band combines these with groovy rhythms, spiritual melodies and fine improvisation. During their tour of South Africa, the band recorded their first album, &#x27;Isambulo&#x27; (2022), produced by none other than Nduduzo Makhathini.

First the world moved closer together, then the borders were drawn up again. That&#x27;s the bad news. But the good news is that OY are not part of it. rSinger/keyboardist Joy Frempong and producer/drummer Melodydreamer have been making music across all musical, linguistic and cultural borders for a decade. The Berlin-based duo with roots in Ghana and Switzerland have thrilled audiences on stages around the world, whether at festivals such as Eurockéenes in France, Rec Beat in Brazil or at club shows in downtown Cairo and New York. 2022 saw them on tour in Europe with the Colombian band Bomba Estéreo as a support act. It is therefore only logical that the title of their current album is World Wide We Polyglot negotiations of political and personal themes are musically realized. From electronica Afrobeats avant-pop to hip-hop, trap and jazz. OY&#x27;s music is more versatile and unified, stylistically more open and self-contained than ever. World Wide We is an open invitation to everyone who wants to dance all clichés to the ground at the duo&#x27;s celebrated concerts.

Millà – Guy – Niggli

Lucas Niggli – GLUT3

This brand-new trio takes a completely contemporary approach to jazz&#x27;s loaded yet magnificent instrumental formula: the piano trio. Perhaps comparable to the symbolism of the string quartet in classical music, is still an enormously rich playing field in terms of colour and interaction possibilities. In this constellation, however, not only do three improvisers who have been washed in many waters and one improviser who is yet to be discovered in this country meet, all of whom are also among the innovators in the way they play their instruments, but three musicians who are also active as composers in the field of contemporary music, performance and current forms of jazz. The pianist is not accompanied by a rhythm section, and the established roles are constantly dismantled, resulting in an extremely agile, intense trio music, characterised by a high level of formal awareness, nimble turns, beautiful sounds, wit and a discipline that gives the improvisations a special urgency. The well-rehearsed duo Barry Guy – Lucas Niggli, which can already look back on 25 years of history (in the trio Demierre – Guy – Niggli, in the quintet Lucas Niggli BIG ZOOM, in Barry Guy&#x27;s London Jazz Composers Orchestra, in the trio with Maya Homburger and in the &quot;HexenTrio&quot; with the legendary Canadian pianist Paul Plimely) is once again expanded into a triangle and finds a congenial partner in Jordina Millà for a dance on a tightrope without a net or false bottom.

Mammal Hands

Sometimes meditative, sometimes cinematic, with rhythmic elements that evolve, complement each other and develop into a driving maelstrom: Mammal Hands play a driving fusion of jazz and electronica that never loses its accessibility despite its complexity. On the contrary, the trio&#x27;s energetic live performances can put you in an almost trance-like state. The band is now on the road with their fifth album &quot;Gift from the Trees&quot; (2023) - a must for all fans of Portico Quartet, Gogo Penguin or Grandbrothers.

Hainbach

Sound Art

Based out of Berlin, Germany, electro-acoustic composer Hainbach (*1978 Freiburg im Breisgau) creates experimental music that is both visceral and whimsical. Using esoteric synthesizers, test equipment and magnetic tape he creates “one hell of a trip” in his live sets and recorded music. He shares techniques on experimental music on his YouTube channel, which has attracted an ever growing audience of more than 180000 subscribers and over 16 Million views, with several videos going viral. His body of work includes film soundtracks, pop productions, chamber music, theater music, sound art installations and music software. Hainbach’s music has been featured in Pitchfork, The Wire, Bandcamp Daily, Bleep and Boomkat.

Simon Spiess Late Bloøm

Woodwinds

Late Bloøm is the solo project of Simon Spiess, who takes on the role of multi-instrumentalist for this project. He is inspired by unknown instruments, which he gets to know through in-depth processes and thus creates new worlds of sound. Late Bloøm is a composer, sound researcher and sound architect. Although he is best known for his warm, soulful and transcendent sound on the saxophone, the musician is also a beast when it comes to sound design. He&#x27;s quick to admit that he creates beauty from a deep searching force: combining vintage woodwinds, modular synthesizers, tattoos and aesthetics. When he&#x27;s not busy practicing the saxophone or meticulously chiseling sounds, you&#x27;re likely to find him doing an intense mindfulness exercise. His music covers a wide spectrum of raw emotions, from calming to unsettling. Presence, connection and an appreciation of the full spectrum of the human experience are a through line in his work. That and the stark, contrasting contrasts (black and white, sometimes misty, metallic gray), punctuated by unexpected twists of garish pink!

Nicole Johänntgen

Album Release «Labyrinth II»

Nicole Johänntgen&#x27;s Labyrinth is groovy, experimental, sometimes melancholic and here and there you can hear the flair of the Motown era of the 70s. After the successful and energetic evening in spring 2024, Johänntgen, Hansen and Stauffacher return to Moods - this time with the sequel - Labyrinth II. When the saxophonist creates music, she likes to look deep, reflect and feel life. While the unconventional line-up of saxophone, tuba (Jon Hansen) and percussion (David Stauffacher) offers unexpected new possibilities, Nicole Johänntgen remains true to her soulful, expressive and virtuoso playing, in which saxophone and vocals alternate in unexpected, artistic ways.

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Nubiyan Twist

Acclaimed by the press and critics, celebrated by fans, part of the crème de la crème of British jazz, Nubiyan Twist from Leeds bring together virtuoso musicians, experienced producers and inspired composers under the direction of Tom Excell. Together they create an unmistakable, infectious big band sound with influences from jazz, hip hop, Afrobeat, Latin, soul, reggae and dance music – a captivating, powerful musical experience.

Minyo Crusaders

What have almost forgotten Japanese folk songs got to do with a cumbia beat? The answer is Minyo Crusaders! The ten-piece collective reworks traditional Japanese folk songs called Min&#x27;yō with Latin music such as cumbia, Ethiopian jazz, Thai pop, Afro-funk and reggae. The result sounds a little crazy, but is absolutely brilliant in a great way. Minyo Crusaders are the most infectious and hottest global beat party since Buena Vista Social Club. Anyway, the punchy and inventive arrangements breathe new life into the old Japanese min&#x27;yō, which are also traditional workers&#x27; songs.

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Over 700 video-on-demand and 40 live streams per year from jazz, global, blues, funk, soul and rap await you. Curated with playlists and recommendations from our program team. In addition, 70% of the subscription revenue goes directly to the musicians. With a subscription you support the artists and this project.

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