Alle

Electronic / Party

Experimental

Global Sounds

Jazz

Jazz Experimental

Jazz Modern Creative

Pop / Rock / Singer / Songwriter

Rap / R'n'B

Rap / R'n'B / Brass

Soul / Blues / Funk

Mohamed Abozekry oud, Lofty Abaza violin, Mohammed Farag ney, Hany Bedair riq, Wassim Halal dohola

20170602_mohamed_abozekry_101202

Nubiyan Twist

Vocals

Trumpet

Saxophon

Guitar

Keyboards

Bass

Drum Kit

Acclaimed by the press and critics, celebrated by fans, part of the crème de la crème of British jazz, Nubiyan Twist from Leeds bring together virtuoso musicians, experienced producers and inspired composers under the direction of Tom Excell. Together they create an unmistakable, infectious big band sound with influences from jazz, hip hop, Afrobeat, Latin, soul, reggae and dance music – a captivating, powerful musical experience.

Siselabonga

Percussion

Siselabonga are back with a new EP called &#x27;In Stone&#x27;. This time, South African singer-songwriter Nongoma takes the mic as the group moves through a kaleidoscopic mix of acoustic and electronic sounds. The rhythmic foundation is West African to the core, with selected elements of hip-hop, soul, Afrobeats and electro-pop thrown in for good measure. Lively, sensual and transcendent.

Zurich Jazz Orchestra feat. Yumi Ito

Regie

Trombone

Flugelhorn

Tuba

Piano

Yumi Ito, a Swiss singer with Polish-Japanese roots, moves effortlessly between genres and her roles as singer, pianist, composer and improviser. She has performed twice with the ZJO, and Ed Partyka is very much looking forward to arranging some of Yumi&#x27;s brand new compositions. The audience can expect an evening of unusual sounds, refreshing and inspiring moments – and surprises: As Yumi Ito&#x27;s music is conceived and composed for smaller ensembles, Ed Partyka&#x27;s big band arrangements open up new worlds of sound.

Heidi Happy feat. The Chor

Mandolin

E-Gitarre

Leitung

Album Release «Nid für Ewig»

After performing with Stephan Eicher and Patent Ochsner, the songwriter from Lucern is back on the road with her own band and is bringing her new album “Nid für Ewig” and the freshly pressed live version on vinyl to Moods! Folky singer-songwriter ballads, spherically dreamy hippie worlds and synth-pop with French charm - it&#x27;s all there. Sometimes very calm and unagitated, sometimes so moving that it&#x27;s hard not to dance along or howl with emotion. We are looking forward to a unique and emotional evening, also thanks to the participation of the choir &quot;The Chor&quot; from Zürich, lead by Heidi&#x27;s sister Anet Zemp.

The lower floor of the club is at ground level and accessible without steps. There is one accessible bathroom which can be used with a Eurokey. The bar is not accessible and is approximately 1.20 metres high.
Sensory stimuli: Most concerts are accompanied by moving lights and smoke.
For sold-out or well-attended concerts, it is worth arriving early.

Are you unable to stand for a long time or do you need other support for your visit? Then get in touch by email or phone: info@moods.ch or 044 276 80 00.

Moods members are guaranteed admission to every event until 30 minutes before the concert starts. Only shows with a high demand require a reservation. The corresponding concerts are marked on the website with "Member-Reservation".

Moods is reached via the main entrance of the Schiffbau at Schiffbauplatz. We recommend arriving by public transport (streetcar 4 or 8 / bus 72, 83 or 33 to Schiffbau; S-Bahn to Hardbrücke station and from there approx. 2 minutes on foot).
Parking spaces are available under Hardbrücke and in the Pfingstweid-/Hardstrasse parking garage.

Mohamed Abozekry «Karkade»

Violin

He juggles with the traditional musical styles of his North African homeland, the creativity of jazz with the power of rock music: the Egyptian Oud player, Mohamed Abozekry, who these days lives in France. The traditional Arabesque sounds of the Oriental lute meet up with Flamenco and South American influences. Abozekry learnt to play the Oud from an early age with the famous Naseer Shamma in his «House of the Arabian Lute» in Cairo. At 15, he was already the youngest teacher of the instrument in the Arabic world. «Karkadé» is the name of his newest project. Supported by SüdKulturFonds

Zurich Jazz Orchestra feat. Ola Onabulé

Director

Horn

Vocal Artistry Series

If little more than a year passes before the ZJO invites a guest for a second time, the premiere must have been a complete success: In November 2022, British-Nigerian vocalist and songwriter Ola Onabulé performed with the ZJO for the first time. He is a virtuoso, self-effacing singer and a lyricist with today&#x27;s world in mind and history in the back of his mind. The topics of his songs hardly leave anything out, from basic human love of life to political content. In doing so, he refrains from stereotyping, which makes his work more elaborate, but his songs all the more authentic.

Dominique Fils-Aimé

Dominique Fils-Aimé is back with a new album and after several attempts finally plays the Moods stage for the first time. Following her successful trilogy of albums that traced the history of African-American culture and history and even earned her a JUNO for Vocal Jazz Album of the Year in 2020, comes her latest record, &quot;Our Roots Run Deep,&quot; which will be released in September 2023 on Ensoul Records. Inspired by soul icons such as Billie Holiday, Etta James and Nina Simone, the Canadian with Haitian roots tells of the wellspring of her soul and holds the audience with her voice in a soothing sonic embrace.

WITCH (We Intend To Cause Havoc)

WITCH (We Intend To Cause Havoc) were Zambia&#x27;s biggest rock band in the 1970s and were at the forefront of a new genre called zamrock. They fused influences ranging from the Rolling Stones to Black Sabbath to James Brown, and blended them with traditional African rhythms and songs. At the height of their popularity, the band often needed police to keep fans at bay while their lead singer Jagari - whose name is an Africanization of Mick Jagger&#x27;s name - roiled the crowd. As Zambia&#x27;s economy stagnated and the country suffered from the AIDS crisis, WITCH disbanded. Jagari, now the only surviving member of the original lineup, retreated to a life of quasi-anonymity as a university music professor before being wrongfully arrested in Zambia&#x27;s toughest hour. Now a man in his 60s, he spends his time mining gemstones. WITCH didn&#x27;t receive greater attention outside their home country until 2012, when Now Again Records reissued their entire discography. In 2016 Jagari began a collaboration with Dutch musicians Jacco Gardner and Nic Mauskoviç, and together with them WITCH is coming to Moods in November.

Boubacar Traoré

Mundharmonika

In the early years of Mali&#x27;s independence, 20-year-old Boubacar Traoré picked up an electric guitar and shaped the sound of the young state. But with the military coup in 1968, his songs were banned from the radio and Traoré had to support his family as a farmer and small trader. In the late 1980s, however, his comeback was abruptly interrupted once again by the death of his wife. Traoré went to Paris and made a living as a construction worker. Finally, in 1990, he re-emerged as a musician and recorded six albums in short intervals. Very soon, Vincent Bucher&#x27;s harmonica became the sonic alter ego of Traoré&#x27;s voice and guitar playing. Since the turn of the millennium at the latest, he has been celebrated as one of the great fathers and ambassadors of modern Mandingo music, combining characteristic playing techniques and ideas from West Africa with the philosophy of the blues from the southern United States.

Summer Pearl

From her hometown of London, singer Summer Pearl is currently taking the music world by storm. Her sound of jazz, soul, hip-hop and dub, is reminiscent of the one of the great Erykah Badu, both powerful and touching at the same time. Summer Pearl herself describes it as &quot;a meditation on my past and a reflection of our present. It is both a personal and political message exploring black and female liberation and love gained and love lost.&quot;

Elina Duni Trio feat. Rabih Abou-Khalil

Jurykonzert

Born in 1981 as the daughter of a writer and a director in the Albanian capital Tirana, Elina Duni first appeared on stage at the age of just five. A lot has happened since her first musical steps on radio and television: today, Elina Duni is an ECM artist and, since 2017, a laureate of the Swiss Music Prize. In this ZKB Jazz Prize Special, the oud virtuoso Rabih Abou-Khalil meets the Elina Duni Trio with Marc Méan and Matthieu Michel. A unique constellation that will probably bring some golden moments. Festival pass (qualifying rounds, final and jury concert) for CHF 70.- available via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Alina Amuri + Special Guests

Flute

Electronics

Synthesizer

Sousaphon

Album Release im Moods

Alina Amuri&#x27;s record launch will take place as part of the Schiffbaufest. The concert is free of charge, but we ask our guests to reserve a ticket via the link in order to have guaranteed admission. With different cultural influences and a lively and bold message, Alina Amuri manages to create magical musical moments. Born in DR Congo Kinshasa and raised in Switzerland, the singer and multi-instrumentalist has developed her own homemade style between Afro, Neo Soul and Trip Hop in the last ten years. An unforgettable voice meets Congolese percussion joy and surprising flute interludes, releasing forces where optimism returns and dancing becomes inevitable. A sound that creates a new sense of togetherness and the promise that everything will be alright. Alina Amuri&#x27;s music combines influences from Lauryn Hill, Nina Simone and Alicia Keys with a fresh, lively twist. Alina has already been selected for SRF 3 Best Talent, has been nominated for the most important Swiss music award (Swiss Music Awards) and won the Swiss Live Talent Award with her last album (Chasing Traces). At this concert Alina Amuri will present her next studio album Back To You. It is the most personal record so far and tells about her journey back to her birthplace Kinshasa, back to her family roots.

Corin Curschellas & The Recyclers Reloaded

Composition

Accordion

50-jähriges Bühnenjubiläum

The singer and composer from Graubünden has been on stage for 50 years. In recent years, she has become best known in this country for her adaptations of Romansh folk songs. It is almost forgotten that the &quot;Grande Dame of Chanzun Rumantscha&quot; has had a unique musical career. Between 1990 and 2010, she worked in Berlin, Paris, London, NYC and Vienna with an astonishing variety of international jazz greats. With her tour, Corin Curschellas celebrates her 50th stage anniversary with a band of her choice, made up of her former Parisian musical companions: guitarist Noël Akchoté, pianist Benoît Delbecq, drummer Steve Argüelles, accordionist Patricia Draeger and bassist Lukas Traxel.

Evelinn Trouble Orchestra

Viola

Cello

Evelinn Trouble

One year after her fifth studio album &quot;Longing Fever&quot; won the &#x27;Indie Suisse Album Of The Year Award&#x27;, Evelinn Trouble is back on tour with her band. Evelinn Trouble, known for her creative restlessness, her virtuoso voice and her idiosyncratic songwriting has added an exciting pop work to her discography with &quot;Longing Fever&quot; - a break with her psychedelic era but still unmistakably Trouble. It&#x27;s an exciting album that traverses highs and lows with fervour, ranging from Beatlesque love songs to euphoric melodies buoyed by distorted hip-hop. Unexpectedly, new sounds of string instruments join the otherwise dark sound universe of the singer: a string trio expands the band to the &quot;Evelinn Trouble Orchestra&quot;.

Erik Truffaz Quartet Show 3

Erik Truffaz became known in the 90&#x27;s through his blend of Jazz with electronic club music. Not only does his lyrical tone remind us of Miles Davis, but also his skillful selection of musical companions and boundless desire to experiment: thus in recent years he has collaborated with, among others, Bugge Wesseltoft, Talvin Singh, Ed Harcourt, Sophie Hunger and Anna Aaron and released 10 albums on the legendary Blue Note jazz label. During the evening in Moods he will present his latest, «Lune Rouge».

Cheibe Balagan

Clarinet

Plattentaufe «Duschin Duschin»

In the best klezmer tradition, Cheibe Balagan draws on various musical influences - from Eastern Europe to Switzerland to Japan - and fuses them into rousing, danceable pieces. The Zurich septet gained national fame through the soundtrack of the hit movie «Wolkenbruch» and since then has been creating an exuberant atmosphere, whether at the Montreux Jazz Festival, street festivals or in dimly lit bars. At Moods, Cheibe Balagan will release their third Album answering the essential questions of life such as: What do unicorn hunters have in common with in-laws? How do you greet the mice in the kitchen? And how many onions belong in a pot of «gefilte fish»?

Akku Quintet

Visuals

Album Release «Kinema»

Akku Quintet is the long-term project of drummer Manuel Pasquinelli from Bern. With a lot of joy in playing, the band ravishingly celebrates the pleasure of repetition, stretching space and time in unexcited movements. After their live album released in 2022, the quintet now presents its fifth studio album KINEMA. The five musicians play pulsating, driving minimal jazz with rock and spherical elements. It sounds like a dive into unfathomable depths. Whenever you think this sea can&#x27;t go any lower, you&#x27;re already sinking down to the next level. Live visuals support the musical diving excursion. In 2020 Akku Quintet was awarded the Cantonal Music Prize of Bern.

Shabaka & The Ancestors

He has already appeared on the Moods stage with The Comet is Coming and Sons of Kemet: the busy saxophonist Shabaka Hutchings. One of his further projects is the South African band, The Ancestors. With them he generates a profound vibe, which follows hot on the heels of the spiritual jazz of Ayler and Coltrane. Hutchings&#x27; ecstatic groove-jazz also makes this genre interesting for a younger audience. Because, with Hutchings, jazz is not a label with limits, rather something that further develops of its accord – and for certain also during this evening in Moods! Supported by SüdKulturFonds

Andrina Bollinger

Finale

Minyo Crusaders

Bongos

Congas

Timbales

Moods Summer Special

What have almost forgotten Japanese folk songs got to do with a cumbia beat? The answer is Minyo Crusaders! The ten-piece collective reworks traditional Japanese folk songs called Min&#x27;yō with Latin music such as cumbia, Ethiopian jazz, Thai pop, Afro-funk and reggae. The result sounds a little crazy, but is absolutely brilliant in a great way. Minyo Crusaders are the most infectious and hottest global beat party since Buena Vista Social Club. Anyway, the punchy and inventive arrangements breathe new life into the old Japanese min&#x27;yō, which are also traditional workers&#x27; songs.

Julie Campiche Quartet

Harp

Video

There are pieces that create a unique, poignant atmosphere with the very first note. &quot;Flash Info&quot; by the Julie Campiche Quartet is one of those. All four musicians use electronic effects to create a fragile yet powerful soundscape in which composition and improvisation are balanced. At the same time, the music leaves plenty of room to breathe and creates impressive sonic contrasts. Julie Campiche&#x27;s musical language is shaped by the big questions of her generation: the vast amounts of radioactive waste, multimedia sensory overload and the search for identity in the digital age.The musical language of experimental jazz harpist, singer, composer, producer and bandleader Julie Campiche is the result of constant curiosity and innovation in music and her great interest in the state of the world. Jazz, classical, electronic music and last but not least avant-garde traits permeate her music - exposing an immediate fragility that sometimes delicately, sometimes powerfully scratches the limit without ever exceeding it. In this way Campiche, who must be called a pioneer of harp jazz, has created her very own music that is unparalleled. Buy your Discoverer Ticket: https://qrco.de/bdutxz Discover the local jazz scene at an affordable price with the Discoverer Ticket for 49.- Swiss francs. It includes the following concerts: Sa 3. Juni • Sandman’s Calling • Plattentaufe «Fata Morgana» Mo 5. Juni • Garn Di 6. Juni • Julie Campiche Quartet  Fr 9. Juni • Florian Arbenz feat. Nelson Veras &amp; Hermon Mehari  Sa 10. Juni • Laura Schuler Quartett • Plattentaufe «Sueños Paralelos» So 11. Juni • Dalia Donadio • Plattentaufe «Zinnarella» Mo 12. Juni • Jochen Baldes • «Bloom Effect» Di 13. Juni • Matthieu Mazué Trio Do 15. Juni • Carte Blanche Rafael Schilt mit Rafael Schilt - Peter Frei - Paul Amereller

Bombino

Desert Blues from one of the most promising musicians from Africa! The singer and guitarist Omara «Bombino» Moctar is a charismatic personality; as a member of a Tuareg tribe in the Central African Niger he fosters a deep awareness for the music of the Nomads. During the last ten years Bombino has developed into an internationally known and admired musician with a sizeable list of fans and musical collaborators. This includes Stevie Wonder, Keith Richards, Robert Plant, Dave Longstreth, Dan Auerbach and many more. He was last in Moods in 2016, now he returns with his sixth album «Deran» - which means something like «with best wishes». Recorded in Casablanca, it is to date Bombino&#x27;s most gripping and multi-faceted album with wishes for a world that is currently full of pain and chaos. Supported by SüdKulturFonds

Derya Yıldırım & Grup Şimşek

Pipe Organ

Psychedelic Music Explosion

Five countries, one band – between Germany, Great Britain, France, Italy and Turkey Derya Yildirim &amp; Grup Şimşek spin intoxicating Turkish pop music. Since their first joint performance within the context of the the New Hamburg Festival in 2014, the quintet wanders together on the trail of the Anatolian folk icons such as Selda Bağcan, Barış Manço and Özdemir Erdoğan and lends the Tukish heritage its very own laid-back, psychedlic complexion. Yildirim&#x27;s enchanting singing, their Saz playing and the instrumentation of the Grup Şimşek – inspired by Jazz, Funk and Pop – they understand themselves not only as interpreters of elaborate compositions, rather as the art of improvisation. You really should get to experience this «live». If you&#x27;re looking for a interesting stream to go with this, the best thing to do is check out Daniel Spicer&#x27;s reading of his book on Turkish Psychedelic Rock. Here you go: https://www.moods.ch/en/streaming/daniel-spicer-2022-04-29

60° Alliance

Live Elektronic

Zurich Jazz Orchestra feat. Thomas Gansch

Musikalische Leitung

Trompete

Posaune

Gitarre

Schlagzeug

Die langjährige und sehr fruchtbare Partnerschaft zwischen Thomas Gansch und dem Zurich Jazz Orchestra wird auch dieses Jahr fortgesetzt. Neben Repertoire aus der Vergangenheit wird es auch neue Arrangements geben, die von Ed Partyka speziell für dieses Konzert geschrieben wurden und die Thomas Gansch als Komponisten und Multi-Instrumental-Solisten, aber auch als liebenswürdiges ‹Enfant terrible› präsentieren. Sicher ist, dass die wunderbaren Musiker*innen des ZJO für einige musikalische Überraschungen sorgen werden. Sicher ist auch: Band und Publikum werden einen unvergesslichen Abend erleben.

Gesang

Flügelhorn

Die 1981 als Tochter einer Schriftstellerin und eines Regisseurs in der albanischen Hauptstadt Tirana geborene Elina Duni stand im Alter von nur funf Jahren erstmals auf einer Bühne. Seit ihren ersten musikalischen Schritten in Radio und Fernsehen hat sich viel getan: Heute ist Elina Duni ECM-Künstlerin und seit 2017 Preisträgerin des Schweizer Musikpreises. In diesem ZKB Jazzpreis Special trifft der Oud-Virtuose Rabih Abou-Khalil auf das Elina Duni Trio mit Marc Méan und Matthieu Michel. Eine einmalige Konstellation, die wohl so einige goldene Momente mit sich bringen wird. Festivalpass (Ausscheidungsabende, Finale und Jurykonzert) für CHF 70.– erhältlich via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Zurich Jazz Orchestra Funk Night

Joseph Bowie’s Big Band Funk - The Legendary Music of Defunkt

Joseph Bowie ist der Bruder des Big-Band-Musikers Byron Bowie und des Mitbegründers des Art Ensemble of Chicago, Lester Bowie. Joe selbst gründete 1978 die Punk-Funk-Jazz-Gruppe «Defunkt». Die Band veröffentlichte in den 1980er Jahren mehrere genreübergreifende Alben, und ihre Musik wurde als «einer der abenteuerlichsten Sounds des letzten Viertels des 20 Jahrhunderts» bezeichnet. In den letzten 20 Jahren hat Joe Bowie auch daran gearbeitet, diese Musik für Big Band zu adaptieren. Einer der Arrangeure, mit denen Joe seit 2011 zusammenarbeitet, ist Ed Partyka. Das ZJO freut sich auf einen energiegeladenen Abend mit tanzbaren Hits aus der langen Geschichte von «Defunkt».

Orchestra Baobab

Letztes Jahr feierte das Orchestra Baobab, eine der grössten Bands Afrikas, ihr 50-jähriges Bestehen. Ihre Geschichte beginnt im Herzen der Medina von Dakar im Senegal der späten 1960er Jahren und erstreckt sich über die ganze Welt und bis ins 21. Jahrhundert. Die Gruppe aus Sängern und Musikern vom ganzen Kontinent spielen eine Mischung aus afro-und lateinamerikanischen Stilen, internationalem Pop und traditioneller Griot-Musik. Nach dem ausverkauften Konzert vom letzten Jahr kehrt die Band diesen August zurück ins Moods. Vor und nach dem Konzert werden die beiden DJs Afreekaya &amp; Voilà Tim auflegen.

Schmidi Schmidhauser & The Hasta Luegos

Akkordeon

Abschiedskonzert

Welch ein Glück: Frau Schmidhauser ersteht eine Gitarre, findet jedoch nicht genug Zeit, um zu üben. Also übereignet sie das Instrument ihren Buben. Beat und Jürg machen nicht lange Federlesens und rocken los. Einige Zeit danach spielt Beat, inzwischen zum Schmidi gereift, mit 14 Jahren seinen ersten Gig. Heute, rund 1500 Konzerte und 46 Jährchen später, beglückt uns Schmidi zum letzten Mal live, denn – und zu unserem Bedauern – «es ist genug des Guten.» Er will sich fortan Dingen widmen, die in all den Jahren zu kurz gekommen sind und somit zwar nicht kürzertreten, aber breiter wirken. Unbeschreibliches hat Schmidi auf tausendundeiner Bühne erlebt, unterwegs mit «Stop the Shoppers», «HOT DC», «Los Hobos», «Chica Torpedo», «Traktorkestar», «Oso loco», mit Polo, Kuno, Endo, Büne, Sina, Lo &amp; Leduc – und immer wieder mit Jürg/Jiri, dem geliebten Brüetsch. Also dann: Bühne frei! Vor unseren Augen und Ohren schaltet Schmidi seinen Modus um: vom Künstlerleben zum Lebenskünstler.

Yarima Blanco Y Son Latino

Tres

Perkussion

Yarima Blanco ist eine herausragende Tres-Cubano-Spielerin und eine der wenigen ausserhalb Kubas, die dieses einzigartige dreisaitige Instrument beherrschen. Mit ihrem eigenen Septett Son Latino verbindet sie verschiedene kubanische Stile mit lateinamerikanischen Einflüssen. Ihre mitreissenden Auftritte zeigen nicht nur ihre beeindruckende Technik auf der Tres, sondern auch ihre starke Stimme und ihr Charisma. Blanco perfektionierte ihr Können während eines mehrjährigen Studiums in Kuba und avancierte schnell zu einer gefragten Künstlerin, die auch mit dem Orchester ANACAONA in der internationalen Jazzszene für Aufsehen sorgte. Pancho Amat, internationaler Meister des Tres Cubanos, beschreibt Blancos Talent als aussergewöhnlich. Vor und nach dem Konzert lädt DJ Saltho zum tanzen ein.

Violine

Bratsche

Ein Jahr nachdem ihr fünftes Studioalbum Album «Longing Fever» den ‹Indie Suisse Album Of The Year Award› abgeräumt hat, ist Evelinn Trouble mit ihrer Band wieder auf Tour. Evelinn Trouble, bekannt für ihre kreative Rastlosigkeit, ihre virtuose Stimme und ihr eigenwilliges Songwriting hat ihrer Diskografie mit «Longing Fever» ein aufregendes Pop-Werk hinzugefügt – ein Bruch mit ihrer Psychedelic-Ära und trotzdem unverkennbar Trouble. Ein spannendes Album, das Höhen und Tiefen mit Inbrunst durchläuft und von beatlesken Liebesliedern zu euphorischen Melodien reicht, die von verzerrtem Hip-Hop getragen werden. Unerwartet gesellen sich neu Klänge von Streichinstrumenten zum sonst dunklen Klanguniversum der Zürcher Sängerin: Ein Streichtrio erweitert die Band zum «Evelinn Trouble Orchestra».

Aus ihrer Heimatstadt London heraus erobert die Sängerin Summer Pearl zur Zeit die Musikwelt im Sturm. Ihr Sound aus Jazz, Soul, Hip-Hop und Dub, der an diejenigen der grossen Eryka Badu erinnert, ist mächtig und zugleich berührend. Summer Pearl beschreibt ihn als «eine Meditation über meine Vergangenheit und eine Reflexion über unsere Gegenwart. Sie ist sowohl eine persönliche als auch eine politische Botschaft, die sich mit der schwarzen und weiblichen Befreiung sowie mit gewonnener und verlorener Liebe beschäftigt.»

Flöte

Alina Amuris Plattentaufe findet im Rahmen des Schiffbaufestes statt. Das Konzert ist gratis, wir bitten unsere Gäste aber über den Ticketlink einen Platz zu reservieren, um garantierten Einlass zu haben. Mit unterschiedlichen kulturellen Einflüssen sowie einer lebendigen und mutigen Botschaft gelingt es Alina Amuri, magische musikalische Momente zu kreieren. Die in der DR Kongo Kinshasa geborene und in der Schweiz aufgewachsene Sängerin und Multi-Instrumentalistin hat in den letzten zehn Jahren ihren eigenen, hausgemachten Stil zwischen Afro, Neo Soul und Trip Hop entwickelt. Eine unvergessliche Stimme trifft auf kongolesische Perkussionsfreude und überraschende Flöteneinlagen und setzt Kräfte frei, bei denen der Optimismus zurückkehrt und das Tanzen unausweichlich wird. Ein Sound, der ein neues Gefühl der Zusammengehörigkeit schafft und das Versprechen, dass alles gut werden wird. Alina Amuri verbindet in ihrer Musik Einflüsse aus Lauryn Hill, Nina Simone und Alicia Keys mit einem frischen, lebendigen Twist. Alina wurde schon für SRF 3 Best Talent ausgewählt, war schon für den wichtigsten Schweizer Musikpreis nominiert (Swiss Music Awards) und gewann mit ihrem letzten Album (Chasing Traces) den Swiss Live Talent Award. An diesem Konzert wird Alina Amuri ihr nächstes Studioalbum «Back To You» vorstellen. Es ist die bisher persönlichste Platte und erzählt von ihrer Reise zurück in ihre Geburtsstadt Kinshasa, zurück zu ihren familiären Wurzeln.

OORT CLOUD

OORT CLOUD concentrates on the expansion of the classical guitar trio sound and discover new, unconventional ways of interaction, composition and improvisation. The instrumentation loses its typical role models through the experimentation with preparations, electronic effects, playing techniques, together with sophisticated concepts for composotion and improvisation.

Bergerausch

Shake Stew

With A Shake Stew, Austria&#x27;s Jazz band of the hour, much is extraordinary. Starting with the line-up: two drummers, two bass players, two saxophones, a trumpet. Quasi two trios plus one. Their comet-like ascendance is also without parallel: a sold-out debut album, a closely-watched collaboration with Shabaka Hutchings and performances at all the renowned Jazz festivals from Frankfurt to Montreal, from Istanbul to Mexico, speak for themselves. And then there&#x27;s that sound: driving rhythms, the horns sometimes blaring, sometimes virtuoso, sometimes melodious, borrowings from Afrobeats, Funk and Swing. Music that reveals a hypnotic spell, one wants to soak up every note, to dance, to shake oneself and hope that it will never stop.

Kush K

District Five

Mara Micciche aka IOKOI vertont «Häxan»

«Streamed concert only, no audience»

Nina Reiter MetaLogue

Arrangement

Album Release «evolving»

The newly formed 10-piece ensemble MetaLogue, led by singer Nina Reiter, is reviving the music of Lucerne composer Mani Planzer, who died in 1997 and was almost forgotten. As a musician, composer, organist, teacher, choirmaster and big band leader, Planzer had a decisive influence on the cultural landscape of Central Switzerland. He was awarded the Lucerne City Prize for Art and Culture in 1981 and the Lucerne Living Space Prize posthumously in 1998. The band name &quot;MetaLogue&quot; refers to Planzer&#x27;s penchant for wordplay and symbolises the symbiosis of the various elements that come together in this project. On the one hand, it is the young musicians who bring Planzer&#x27;s music into the light of the present and allow the audience to participate in a musical dialogue that takes place far away from the mainstream. On the other hand, it is the lyrics of singer Nina Reiter, who picks up on Planzer&#x27;s pioneering spirit in the synthesis of jazz and poetry, thus creating a meta-level to the previously instrumental compositions. On the occasion of the upcoming anniversary – Planzer would have celebrated his 85th birthday in 2024 – the Mani Planzer Big Band and the MorschAchBlasorCHester will pay tribute to the musical bridge-builder, trailblazer and pioneer with works arranged by Nina Reiter.

Zurich Jazz Orchestra

Best of: Arranging Jazz

The art of jazz arranging has been around for 100 years. The Zurich Jazz Orchestra will trace the development of this art form for big band - a best-of program as a look back at our season theme The Art of Arranging. The journey begins in the 1920s, continues with the swing and big band era of the 1930s and 1940s and leads into the post-war period. Influential arrangers such as Bob Brookmeyer, Gil Evans, Carla Bley, Billy Strayhorn, George Gruntz and Mathias Rüegg will be in the spotlight and show how &quot;The Art of Arranging&quot; has developed over the past 50 years.

Caroline Chevin ft. Rose Ann Dimalanta

Two extraordinary musicians, whose paths have crossed again and again over the years, are fulfilling their wish to perform together for the first time: Caroline Chevin is known for her strong voice, her soulful songs that tell authentic stories. On top of this comes her top-class entertainment, with which she captivates every audience. Rose Ann Dimalanta, internationally sought-after pianist, singer and composer, known from her performances with Prince and in this country with Seven, commands the stage with her virtuoso playing. Her musical versatility makes her a fascinating artist. The collaboration between the two musicians promises a great musical synergy. They will play songs that have made them what they are today and tell each other stories from their musical lives. The two will be accompanied by the coriphiles Oli Keller on guitar and Jwan Steiner on drums.

Çiçek Taksi

Album Release «Bin Dilde»

Even if you don&#x27;t understand the lyrics, the music of Çiçek Taksi goes straight to the heart. The band, which the Turkish-Kurdish-Swiss singer Selin Dettwiler founded with three musician friends in Bern, dedicates its new album to the love of poetry; a love that knows no language barriers. Bin Dilde - in a thousand languages – is about love, repression, pain and hope, all woven into the songs. The Turkish poems that the band members collected as the basis for the songs were written by people living in Switzerland. They provide touching insights into arriving in an unknown place and tell of the very different circumstances that led to a departure to new homes in the writers&#x27; country of origin.

BCUC

Bass Drum

Moods & On The Corner Records present

BCUC stands for Bantu Continua Uhuru Consciousness. Their music is made up of indigenous funk, hip-hop and punk energy. But instead of trying to classify and analyze the music, you should simply visit a live show: An absolute stunner! In recent years, BCUC has played with legends such as Femi Kuti and Saul Williams, fascinated audiences at the most important European festivals (Glastonbury, Roskilde, Womad, Fusion, Sziget and many more) and also won the prestigious Womex Artist Award. And should anyone still have any doubts as to whether it&#x27;s worth it: “without a doubt the best live act I saw” - Gilles Peterson “Loved their set, it was one of my highlights of a great weekend” - Nick Dewey, Glastonbury Festival “guaranteed to touch untapped corners of your soul” - Okayafrica “the most impressive newcomers this year” - The Guardian It all started in a shipping container in Soweto, South Africa, where the band members of BCUC met. The shipping container was converted into a community restaurant and stands next to the church where Desmond Tutu organized the escape of the most wanted anti-apartheid activists. This historical background is echoed in BCUC&#x27;s music: Their music is a hedonistic trance, but also as a weapon for political and spiritual liberation. The concert ticket is also valid for the party afterwards.

Raphael Jost Quintett

Singer and pianist Raphael Jost sees himself as a modern-day crooner. His songs are snapshots of his life, catchy and always cleverly packaged, and he never fails to surprise with his powerful, warm voice. At Moods, Jost will be presenting his newly formed quintet for the first time, as well as lots of new music, including fresh original compositions that have been created and matured over the past few months. Jost will be joined by Bastien Rieser on trumpet and Alex Hendriksen on tenor saxophone, Raphael Walser on double bass and London drummer Luke Tomlinson. The five musicians are united by their boundless joy of playing and their love of the jazz tradition.

Golnar Quintet

Moods & jazzhane present

Born and raised in Tehran, the Iranian-Canadian singer and multi-instrumentalist Golnar Shahyar understands music as a political act. Drawing equally from the traditions of Southwest Asian, North Africa, and contemporary music of Europe and America, she creates an extraordinary mixture of languages and styles. She dedicated her last tour to the slogan Woman* Life Freedom in the light of the ongoing revolution in Iran. With her current song &#x27;Tell my mother she has no daughter anymore&#x27; she touched thousands of Iranians at home and abroad. With the festival pass for CHF 80, you can visit both evenings of the Nowruz Festival 2024: https://discover.smeetz.com/de/product/b2b/nowruz-2024-festivalpass?referrer=preview&amp;productId=65277 Supported by the Südkulturfonds.

Inner Unity Ensemble & Sakina Teyna

Defying the colonialist term &quot;World Music&quot;, the Inner Unity Ensemble connects musicians of the diaspora with a very diverse set of backgrounds to (re)create music across cultural, regional, and genre borders. Their music is defined by modal and microtonal concepts found in Iranian Radif or Arabic and Turkish Maqams blended with various harmonic concepts in European classical music or jazz. Welcoming rhythmic accents and melodic harmonies as rich as their very own diverse heritage, the band features musicians from Iran, Azerbaijan, Turkey, the Kurdish regions, and Italy. For the first time and perfectly fitting to the Nowruz festival, the Inner Unity Ensemble will also welcome Sakina Teyna, a Kurdish-Alevi singer from Varto in Turkey. With the festival pass for CHF 80, you can visit both evenings of the Nowruz Festival 2024: https://discover.smeetz.com/de/product/b2b/nowruz-2024-festivalpass?referrer=preview&amp;productId=65277 Supported by the Südkulturfonds.

Almost exactly ten years have passed since Thomas Gansch&#x27;s first performance with the ZJO. Today he is a good friend of the band and a favorite of the ZJO audience. The basic concept of the evening therefore remains the same: musical fireworks, fun, unconventional. This year, the Austrian trumpeter will celebrate the music from his folk crossover album Alpen &amp; Glühen with the ZJO. Ed Partyka will enrich Thomas Gansch&#x27;s original compositions inspired by folk music, which were originally performed by a chamber ensemble, with jazz sounds and big band power.

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Gasandji

The power lady from the Congo has a mind of her own and on stage fascinates us with her presence, her refinement and her empathy. Gasandji means something like «She that awakens the awareness». One could not describe the intention behind her music more appropriately. With her high, clear voice, sometimes tender and melancholic, sometimes full of power, she attests to the big topics such as love, hope and suffering. In the process she wanders between Jazz, Soul, Reggae and the sounds of her ancestors. «I want to bring the people closer to my home, without losing sight of the here and now», she says about her music. Her album «Le Sacré» was released in November 2017. Supported by SüdKulturFonds

Julian Lage Trio

The jazz guitarist Julian Lage is an exceptional talent: as an eight-year-old he already started playing with musicians such as Carlos Santana, Pat Metheny, Kenny Werner, Toots Thielemans, Gary Burton and many more. His uncramped, easy-going and readily accessible jazz understanding generated much attention for his works and he was rewarded with Grammy nominations. Although recognised as a virtuoso, Lage&#x27;s ability is never presented as a show of his spectacular technique. More important to him is the emotional content of his music. An exceptional talent indeed. For the evening he will be accompanied by bassist Jorge Roeder and drummer Kenney Wollesen. Together they will further develop a blend of Jazz-Fusion, Blues and Rock’n’Roll. For admission, all guests need a valid Covid certificate from Switzerland or EU (QR code) for vaccinated, tested or recovered persons and an official ID card (ID, passport or driver&#x27;s license). The detailed admission rules are listed here: https://www.moods.club/en/program/admission-rules-covid/

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Mohamed Abozekry «Karkade»

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