Alle

Electronic / Party

Experimental

Global Sounds

Jazz

Jazz Experimental

Jazz Modern Creative

Pop / Rock / Singer / Songwriter

Rap / R'n'B

Rap / R'n'B / Brass

Soul / Blues / Funk

Arthur Donnot Group

Saxophon

Guitar

Bass

Drum Kit

Festival

Arthur Donnot is an up-and-coming musician from Lausanne whose calm breath on the saxophone unfolds a warm sound all its own, almost reminiscent of organic singing. His compositions are rich and somber, yet have a luminous note. His influences range from Mac Demarco to Serge Gainsbourg, from hip hop to indie folk. Festival pass (qualifying rounds, final and jury concert) for CHF 70.- available via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

ARBRE

Flugelhorn

Fender-Rhodes E-Piano

The sound of the Bernese collective ARBRE is rooted in clear and gnarly rhythms composed of carefully selected sounds played with a light, precise hand. Their groove spans densely woven acoustic and electronic textures and deeply branching soundscapes.

Filippo Valli Quartet

Piano

The Filippo Valli Quartet from Ticino brings together four young musicians who combine their talents and collaborative spirit to create a fascinating and cohesive musical experience. Their collective artistry and seamless interplay results in performances that captivate audiences with their fusion of traditional and contemporary jazz, R&amp;B, soul and hip-hop influences. Festival pass (qualifying rounds, final and jury concert) for CHF 70.- available via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Knobil

Bass Clarinet

Knobil is a vocal jazz quartet founded by Louise Knobil, a double bass player, singer and composer living in Lausanne. Inspired by Esperanza Spalding, Charles Mingus and Oscar Pettiford, she interprets her own compositions with her double bass and voice in a style between singer-songwriter, post-bop and glitery jazz.

ZKB Jazzpreis 2023 FINALE

The two selected bands will compete in the final of the ZKB Jazzpreis Festival and play for the victory. The first concert starts at 20:30, the second at 21:30. Afterwards, the award ceremony will take place, including the announcement of the winners of the ZKB Audience Award. Festival pass (qualifying rounds, final and jury concert) for CHF 70.- available via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Masterclass mit Rabih Abou-Khalil

Traditional Arabic meters and scales combined with European classical music up to open jazz and distinct improvisations. The result Rabih Abou-Khalil conjures from his instrument is a fresh music, fascinatingly complex, virtuosic, sensual. The starting point of this masterclass is his extraordinary instrument - the oud - and from there the conversation develops. The further content depends on the composition of the participants. Open to musicians and those interested in music. No registration required. Duration: 1 hour

Elina Duni Trio feat. Rabih Abou-Khalil

Vocals

ZKB Jazzpreis Jurykonzert

Born in 1981 as the daughter of a writer and a director in the Albanian capital Tirana, Elina Duni first appeared on stage at the age of just five. A lot has happened since her first musical steps on radio and television: today, Elina Duni is an ECM artist and, since 2017, a laureate of the Swiss Music Prize. In this ZKB Jazz Prize Special, the oud virtuoso Rabih Abou-Khalil meets the Elina Duni Trio with Marc Méan and Matthieu Michel. A unique constellation that will probably bring some golden moments. Festival pass (qualifying rounds, final and jury concert) for CHF 70.- available via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Summer Pearl

Keyboards

From her hometown of London, singer Summer Pearl is currently taking the music world by storm. Her sound of jazz, soul, hip-hop and dub, is reminiscent of the one of the great Erykah Badu, both powerful and touching at the same time. Summer Pearl herself describes it as &quot;a meditation on my past and a reflection of our present. It is both a personal and political message exploring black and female liberation and love gained and love lost.&quot;

Boubacar Traoré

Mundharmonika

Percussion

In the early years of Mali&#x27;s independence, 20-year-old Boubacar Traoré picked up an electric guitar and shaped the sound of the young state. But with the military coup in 1968, his songs were banned from the radio and Traoré had to support his family as a farmer and small trader. In the late 1980s, however, his comeback was abruptly interrupted once again by the death of his wife. Traoré went to Paris and made a living as a construction worker. Finally, in 1990, he re-emerged as a musician and recorded six albums in short intervals. Very soon, Vincent Bucher&#x27;s harmonica became the sonic alter ego of Traoré&#x27;s voice and guitar playing. Since the turn of the millennium at the latest, he has been celebrated as one of the great fathers and ambassadors of modern Mandingo music, combining characteristic playing techniques and ideas from West Africa with the philosophy of the blues from the southern United States.

Moods members are guaranteed admission to every event until 30 minutes before the concert starts. Only shows with a high demand require a reservation. The corresponding concerts are marked on the website with "Member-Reservation".

Everyone should have the opportunity to participate in the events at Moods. 

Moods is reached via the main entrance of the Schiffbau at Schiffbauplatz. We recommend arriving by public transport (streetcar 4 or 8 / bus 72, 83 or 33 to Schiffbau; S-Bahn to Hardbrücke station and from there approx. 2 minutes on foot).
Parking spaces are available under Hardbrücke and in the Pfingstweid-/Hardstrasse parking garage.

Asmâa Hamzaoui & Bnat Timbouktou

Qraqeb

Asmâa Hamzaoui and Bnat Timbouktou (the daughters of Timbuktu) represent a new generation of young women Gnawa performers, breaking new ground in a traditionally patriarchal realm. Asmâa Hamzaoui assimilated the Gnawa musical tradition from a young age through her father, renowned musician Rachid Hamzaoui, learning to play the guembri (three-string lute) from an early age and later accompanying him at celebrations. She formed Bnat Timbuktu in 2012, gradually winning over audiences, until their breakthrough invitation to the Gnaoua Festival of Essaouira in 2017. Their taboo-busting performance, and jamming with Fatoumata Diawara, won them invitations to major festivals in Europe and the USA, even without a recording to their name. Asmâa still comes up against opposition from some Gnawa traditionalists but as she says: “They can talk, but here I am working and they’re just talking.”

Julian Lage Trio

The jazz guitarist Julian Lage is an exceptional talent: as an eight-year-old he already started playing with musicians such as Carlos Santana, Pat Metheny, Kenny Werner, Toots Thielemans, Gary Burton and many more. His uncramped, easy-going and readily accessible jazz understanding generated much attention for his works and he was rewarded with Grammy nominations. Although recognised as a virtuoso, Lage&#x27;s ability is never presented as a show of his spectacular technique. More important to him is the emotional content of his music. An exceptional talent indeed. For the evening he will be accompanied by bassist Jorge Roeder and drummer Kenney Wollesen. Together they will further develop a blend of Jazz-Fusion, Blues and Rock’n’Roll. For admission, all guests need a valid Covid certificate from Switzerland or EU (QR code) for vaccinated, tested or recovered persons and an official ID card (ID, passport or driver&#x27;s license). The detailed admission rules are listed here: https://www.moods.club/en/program/admission-rules-covid/

Judith Hill

Judith Hill has already worked together with world stars such as Robbie Williams, Stevie Wonder and Elton John and became famous overnight when she sang «Heal The World» at the funeral of Michael Jackson – over 2 billion people watched on television. She appeared in the Oscar-winning documentary film «20 Feet From Stardom», generated a storm of enthusiasm in The Voice in the USA and the Rolling Stone Magazine praised her for her «outstanding powerhouse vocals». Her debut album «Back in Time» (2015) was produced by no-one less than Prince. Following a sensational show in Moods in 2019 to present her second album, «Golden Child», she now returns and brings along a new work: «Baby, I&#x27;m Hollywood!». We look forward to crisp, groovy Funk, Soul, R&#x27;n&#x27;B, to Jazzy ballads, to Judith&#x27;s impressive, distinctive voice and her great piano and guitar playing. For admission, all guests need a valid Covid certificate from Switzerland or EU (QR code) for vaccinated, tested or recovered persons and an official ID card (ID, passport or driver&#x27;s license). The detailed admission rules are listed here: https://www.moods.club/en/program/admission-rules-covid/

Jaimie Branch

«FLY OR DIE»

Jaimie Branch has already contributed to a broad palette of projects, not only in Jazz, but also in Punk, Noise, Indie-Rock and Hip-Hop. Rather less well known, yet equally enchanting, is her work as composer and producer. These can first be discovered on her debut album «Fly or Die»: a 35-minute ride through all sorts of musical genres that knows no boundaries - always held together by the spooky sounds that she extracts from her trumpet.

Mark Guiliana's Beat Music

The magazine JazzTimes raves “One of the most influential drummers of his generation”. The talk is about Mark Guiliana who is known in particular for his rhythmic finesse, his imaginative playing and unmistakable sound. Spring 2019 sees the release of a new album with his band Beat Music, on which the drummer fuses the power of jazz improvisation with the discipline of electronic music. Hard grooves without compromise are overlayered with atmospheric sounds, raw effects and spoken texts.

Stiller Has

Every Easter Moods welcomes Stiller Has to Moods. Such wonderful traditions must be preserved, therefore the band again brings to the stage their album «Endosaurusrex», released in 2017. Inspired by fairy tales in the style of Brothers Grimm, Endo Anaconda holds a distortion mirror up to the community. In his bitter-sweet dialect verses, Hans has depression in happiness, Bambi is into sadomaso, and even the devil has to go for therapy. The Wishing Table makes him sick and the land of plenty comes only with a gastric band. And along the way, Endo dissects our small world, on the search for the last paradise «where it&#x27;s not so uptight as here».

Kala Jula – Samba Diabaté & Vincent Zanetti

Violin

Kala Jula brings together Samba Diabaté, one of Bamako&#x27;s most popular guitarists, with multi-instrumentalist and Djembe master, Vincent Zanetti. The Swiss-Mali duo newly interprets the music of the Mandingo tradition through blending of West African sounds with blues and jazz. In their current project, «Mande Kulu», the two musicians collaborate with violinist Jacky Molar and bassist Hélène Labarrière from France. Together, the four take the audience on a musical journey through the Nomadic culture of African countries. Supported by SüdKulturFonds

Mohamed Abozekry «Karkade»

He juggles with the traditional musical styles of his North African homeland, the creativity of jazz with the power of rock music: the Egyptian Oud player, Mohamed Abozekry, who these days lives in France. The traditional Arabesque sounds of the Oriental lute meet up with Flamenco and South American influences. Abozekry learnt to play the Oud from an early age with the famous Naseer Shamma in his «House of the Arabian Lute» in Cairo. At 15, he was already the youngest teacher of the instrument in the Arabic world. «Karkadé» is the name of his newest project. Supported by SüdKulturFonds

Chris Wiesendanger Solo

In the music of Chris Wiesendanger, concentration and presence are at the center. Polyphonic and polyrhythmic music unfolds from this still center. Multi-layered sound fabrics and superimposition of movement sequences stand in contrast to emptiness and open space. The music spreads out, creates resonance, brings about change, and returns to silence. His solo concerts are deeply rooted in the jazz piano and blues traditions, but he is also intimately familiar with the literature of classical and new music. He explores traditional playing techniques as well as new ways of creating sound inside the piano. He also works on extensions, overdubs and changes to the acoustic piano sound through electronics.

Liniker E Os Caramelows

Liniker e os Caramelows are a celebration of life, colourful and open. With her charismatic performance, her distinctive soul voice and her humorous play with identities, Liniker, the Afro-Brasilian transgender songstress has within a few years ascended to become an icon of Brasilian contra-culture. Together with her band, OS Caramelows, she is without doubt one of the most exciting musical acts that Sao Paolo, the metropole of millions, currently has to offer. They blend Brasilian Soul with the heritage of Musica Popular Brasileira. The result is a definitely more intensive, danceable sound, sometimes sensitive, other times energetic. The rhythmical diversity ranges from powerful horns, rock elements and flute funk. One does not need to understand Portuguese in order to be completely taken by the show’s many extraordinary dimensions. Supported by SüdKulturFonds

Aly Keita Trio

The swirling Balafon playing of Aly Keita is a spectacle, the sticks seem to dance over the keys. Born into a musical family, since childhood Aly Keita has built and played his own instruments and has played as sideman with the best: Omar Sosa, Joe Zawinul, Rhoda Scott, Paco Séry, Karim Ziad, Pharoah Sanders, Paolo Fresu and many more. Today Aly Keita lives in Berlin, where he became acquainted with the Dutch drummer Marcel van Cleef and the Italian bassist Roberto Badoglio. In their music they wander between spectacular African rhythms, polyphony and elements of jazz, and blend these into a wonderful and unique sound.

Andreas Schaerer – Luciano Biondini

Accordion

«La Scintilla Nell' Ombra»

«La Scintilla Nell’Ombra» – «The spark in the shadow» – is the name of the brand-new program, whereby the two exceptional musicians Andreas Schaerer and Luciano Biondini meet up for the first time in an intimate duo constellation. Their musical encounter cheerfully moves between virtuosity, fiery dialogue and down-tempo poetry. During the evening they will combine own compositions with a selection of their favourite songs and Canzoni, which develop their very own emotional power with this line-up

Lea Lu

Trumpet

Trombone

Back to the essence. Back to the voice. That was the starting point of their album «Rabbit» that was released in 2017. That opened up a new path for Lea Lu, away from the usual pop structures and on to totally improvised song tapestries. Lea has put together a line-up of musicians - that are equally at home with pop as they are with jazz - especially for Moods. Moments of energy-loaded freedom are developed from meditative reduction and pop borrowings.

Jaimie Branch Solo

Jury Konzert 

For admission, all guests need a valid Covid certificate from Switzerland or EU (QR code) for vaccinated, tested or recovered persons and an official ID card (ID, passport or driver&#x27;s license). The detailed admission rules are listed here: https://www.moods.club/en/program/admission-rules-covid/ With her trumpet, the New Yorker lends fresh impulse to Jazz. Her enthusiastically experimental approach is occasionally angry, often riotous, frenetic and uninhibited. Her first concert in Moods (2020) was a wild ride through all possible music genres and was so impressive that a live album was created from it.

Zurich Jazz Orchestra feat. Brandy Butler

Brandy Butler sings Billy Strayhorn

Following the successful last season&#x27;s joint ZJO/Brandy Butler concert, the songstress has been invited for a second project. Billy Strayhorn was 24 years old when he joined Duke Ellington and remained loyal for the entire duration of his short life. He was to a large part also responsible for the sound of the orchestra and was considered as one of the most prominent jazz composers and arrangers. The adjective «meaningful» without doubt also applies to his song texts, the majority of which he penned himself. In contrast to many not-so-deep jazz standard lyrics, Strayhorn&#x27;s texts are intelligent, witty and often unconventional. So, for example, the track «Take the A-Train» is route information to Ellington&#x27;s house wrapped up in a melody, which Duke explained to Strayhorn by telephone for their first encounter: «You must take the ‹A› train, to go to Sugar Hill way up in Harlem». Brandy Butler describes Strayhorn as one of her favourite composers and writers and during the evening will sing tracks like «Passion Flower» and «Satin Doll» in addition to «Take the A-Train». She grew up in America, studied music in Philadelphia Musik and in 2003 came to Switzerland as an au-pair. Soon she was singing with the greats such as Sophie Hunger, Florian Ast and the rapper Steff la Cheffe. She can also evidence a notable solo career with bands such as «Chamber Soul» or her current project «Brandy Butler and the Brokenhearted».

Yemen Blues

Yemen Blues stands for the modern, cosmopolitan Israel and shows that there is an enriching exchange between diverse cultures away from the narrow-minded politics. The charismatic singer Ravid Kahalani is of Yemeni origin and has teamed up with top-class musicians with roots from all over the world. The ensemble plays a captivating blend of Funk, Blues, Rock, Soul and traditional Oriental music, which impresses every audience.

Zurich Jazz Orchestra feat. Thomas Gansch

Musikalische Leitung

Trompete

Posaune

Tuba

Gitarre

Schlagzeug

Die langjährige und sehr fruchtbare Partnerschaft zwischen Thomas Gansch und dem Zurich Jazz Orchestra wird auch dieses Jahr fortgesetzt. Neben Repertoire aus der Vergangenheit wird es auch neue Arrangements geben, die von Ed Partyka speziell für dieses Konzert geschrieben wurden und die Thomas Gansch als Komponisten und Multi-Instrumental-Solisten, aber auch als liebenswürdiges ‹Enfant terrible› präsentieren. Sicher ist, dass die wunderbaren Musiker*innen des ZJO für einige musikalische Überraschungen sorgen werden. Sicher ist auch: Band und Publikum werden einen unvergesslichen Abend erleben.

Evelinn Trouble Orchestra

Violine

Bratsche

Cello

Evelinn Trouble

Ein Jahr nachdem ihr fünftes Studioalbum Album «Longing Fever» den ‹Indie Suisse Album Of The Year Award› abgeräumt hat, ist Evelinn Trouble mit ihrer Band wieder auf Tour. Evelinn Trouble, bekannt für ihre kreative Rastlosigkeit, ihre virtuose Stimme und ihr eigenwilliges Songwriting hat ihrer Diskografie mit «Longing Fever» ein aufregendes Pop-Werk hinzugefügt – ein Bruch mit ihrer Psychedelic-Ära und trotzdem unverkennbar Trouble. Ein spannendes Album, das Höhen und Tiefen mit Inbrunst durchläuft und von beatlesken Liebesliedern zu euphorischen Melodien reicht, die von verzerrtem Hip-Hop getragen werden. Unerwartet gesellen sich neu Klänge von Streichinstrumenten zum sonst dunklen Klanguniversum der Zürcher Sängerin: Ein Streichtrio erweitert die Band zum «Evelinn Trouble Orchestra».

Yarima Blanco Y Son Latino

Gesang

Perkussion

Yarima Blanco ist eine herausragende Tres-Cubano-Spielerin und eine der wenigen ausserhalb Kubas, die dieses einzigartige dreisaitige Instrument beherrschen. Mit ihrem eigenen Septett Son Latino verbindet sie verschiedene kubanische Stile mit lateinamerikanischen Einflüssen. Ihre mitreissenden Auftritte zeigen nicht nur ihre beeindruckende Technik auf der Tres, sondern auch ihre starke Stimme und ihr Charisma. Blanco perfektionierte ihr Können während eines mehrjährigen Studiums in Kuba und avancierte schnell zu einer gefragten Künstlerin, die auch mit dem Orchester ANACAONA in der internationalen Jazzszene für Aufsehen sorgte. Pancho Amat, internationaler Meister des Tres Cubanos, beschreibt Blancos Talent als aussergewöhnlich. Vor und nach dem Konzert lädt DJ Saltho zum tanzen ein.

Orchestra Baobab

Timbales

Congas

Moods Summer Special

Letztes Jahr feierte das Orchestra Baobab, eine der grössten Bands Afrikas, ihr 50-jähriges Bestehen. Ihre Geschichte beginnt im Herzen der Medina von Dakar im Senegal der späten 1960er Jahren und erstreckt sich über die ganze Welt und bis ins 21. Jahrhundert. Die Gruppe aus Sängern und Musikern vom ganzen Kontinent spielen eine Mischung aus afro-und lateinamerikanischen Stilen, internationalem Pop und traditioneller Griot-Musik. Nach dem ausverkauften Konzert vom letzten Jahr kehrt die Band diesen August zurück ins Moods. Vor und nach dem Konzert werden die beiden DJs Afreekaya &amp; Voilà Tim auflegen.

Zurich Jazz Orchestra feat. Efrat Alony

Flügelhorn

«Vocal Artistry Series»

Efrat Alony und Ed Partyka arbeiten schon bald 20 Jahre lang zusammen und haben Aufnahmen mit dem Sunday Night Orchestra und dem Ed Partyka Jazz Orchestra gemacht. Darüber hinaus sind sie gemeinsam mit dem UMO Helsinki Jazz Orchestra und der HR Big Band aufgetreten. Die Sängerin, Bandleaderin und Komponistin, die heute in Deutschland lebt, begann ihr Musikstudium in Haifa und schloss es in Boston ab. Genauso international ist das Programm des Abends. Es besteht aus modernen jüdischen Volksliedern und Originalkompositionen von Efrat Alony, die von Ed Partyka für Jazzorchester und die warme, bald sanft-melancholische, bald dezidierte Stimme Efrat Alonys arrangiert wurden.

Luedji Luna

Die Sängerin und Songwriterin Luedji Luna ist ein prominenter Name in der brasilianischen Musikszene. Mit zahlreichen Preisen ausgezeichnet und 2022 für den Latin Grammy «Best MPB Album» nominiert, erreichte sie bald auch Bekanntheit weit über die Landesgrenzen hinaus. In ihrer Musik untersucht und zelebriert sie die Verbindungen zwischen ihrem Heimatland und ihren afrikanischen Wurzeln und thematisiert die Marginalisierungen von Afrobrasilianer*innen und Frauen in Brasilien. Diese Thematik gepaart mit ihrer souligen Stimme trägt eine mitreissende Energie in sich, die schon in ihren Alben oder online beim NPR Tiny Desk Concert spürbar wird, sich aber vor allem live zu einem unvergesslichen Musikerlebnis entfaltet. DJ Sampa wird anschliessend die besten Tracks aus Forró, Samba-Rock, Gafieira und Tropicalia auflegen. Diese Veranstaltung findet in Zusammenarbeit mit Adalu statt: https://www.adalu.ch/

Marie Krüttli Trio

Das Marie Krüttli Trio beeindruckt, ist aufregend, bunt und gewagt. Mit reifem Ton, eindeutiger Ästhetik und betörender Virtuosität manövriert die Welschschweizerin sich und Ihre Bandkollegen durch vertrackte Rhythmusgebilde und verwobene Akkordketten. Groovig schillern die Melodien, charmant und mit viel hintergründigem Witz erscheinen die Akteure, stets tief in der europäischen Klaviertradition verankert und von den Klangidealen eines Strawinsky und Debussy beeinflusst sind.

James Brandon Lewis

«Ein Saxophonist, der die Tradition verkörpert und über sie hinausgeht», schrieb die New York Times über James Brandon Lewis. In nur etwas mehr als einem Jahrzehnt ist er zu einem der gefeiertsten Jazzmusikern geworden. Ein Künstler, der sich mit seiner einzigartigen Mischung aus Gospel, Blues, R&amp;B und den aufrüttelnden Saxophon-Erkundungen von John Coltrane, Albert Ayler und Sonny Rollins eine Nische geschaffen hat. Sein Auftritt fällt mit der Veröffentlichung seiner neuen ANTI Records-Aufnahme «Eye and I» zusammen, auf der er im Trio mit dem E-Bassisten Josh Werner und dem Schlagzeuger Chad Taylor zu hören ist.

Carebender

Carebender ist ein achtköpfiges Berliner Vokalensemble, das sich der experimentellen Musik annimmt und mittels gesanglichen Kompositionen ein wagemutiges Spiel mit Schönheit und abstrakter Kunstform betreibt. Ihr erstes Album «What We Talk About» erschien im März 2022 bei BlauBlauRecords und wird als Acappella-Moment gegen die Wut beschrieben, die Wut die im Magen lauert und immer im falschen Moment ausbricht. Im Moods präsentieren Carebender diese Songs zum ersten Mal einem Live-Publikum.

OORT CLOUD

OORT CLOUD concentrates on the expansion of the classical guitar trio sound and discover new, unconventional ways of interaction, composition and improvisation. The instrumentation loses its typical role models through the experimentation with preparations, electronic effects, playing techniques, together with sophisticated concepts for composotion and improvisation.

Bergerausch

Shake Stew

With A Shake Stew, Austria&#x27;s Jazz band of the hour, much is extraordinary. Starting with the line-up: two drummers, two bass players, two saxophones, a trumpet. Quasi two trios plus one. Their comet-like ascendance is also without parallel: a sold-out debut album, a closely-watched collaboration with Shabaka Hutchings and performances at all the renowned Jazz festivals from Frankfurt to Montreal, from Istanbul to Mexico, speak for themselves. And then there&#x27;s that sound: driving rhythms, the horns sometimes blaring, sometimes virtuoso, sometimes melodious, borrowings from Afrobeats, Funk and Swing. Music that reveals a hypnotic spell, one wants to soak up every note, to dance, to shake oneself and hope that it will never stop.

Kush K

District Five

Mara Micciche aka IOKOI vertont «Häxan»

«Streamed concert only, no audience»

OKWOK

OKWOK mixes inspirations from traditional and modern jazz with hip-hop, demonstrating the musical and cultural diversity of today&#x27;s jazz. The trio of three young Swiss musicians, all graduates of the Bern Jazz Academy, was born out of a jam among friends and has grown into an active band that is constantly evolving. Festival pass (qualifying rounds, final and jury concert) for CHF 70.- available via https://discover.smeetz.com/de/product/b2b/zkb-jazzpreis-festival-2023?referrer=preview&amp;productId=63456

Alina Amuri + Special Guests

Sousaphon

Album Release im Moods

Alina Amuri&#x27;s record launch will take place as part of the Schiffbaufest. The concert is free of charge, but we ask our guests to reserve a ticket via the link in order to have guaranteed admission. With different cultural influences and a lively and bold message, Alina Amuri manages to create magical musical moments. Born in DR Congo Kinshasa and raised in Switzerland, the singer and multi-instrumentalist has developed her own homemade style between Afro, Neo Soul and Trip Hop in the last ten years. An unforgettable voice meets Congolese percussion joy and surprising flute interludes, releasing forces where optimism returns and dancing becomes inevitable. A sound that creates a new sense of togetherness and the promise that everything will be alright. Alina Amuri&#x27;s music combines influences from Lauryn Hill, Nina Simone and Alicia Keys with a fresh, lively twist. Alina has already been selected for SRF 3 Best Talent, has been nominated for the most important Swiss music award (Swiss Music Awards) and won the Swiss Live Talent Award with her last album (Chasing Traces). At this concert Alina Amuri will present her next studio album Back To You. It is the most personal record so far and tells about her journey back to her birthplace Kinshasa, back to her family roots.

Flaira Ferro Duo

Multiinstrumentalist

Adalu Tropical

The duo performance is an invitation to access emotional universes of joy through music, dance and poetry It is about immersion in life and being open to mood changes through a loving pact with the dynamics and impermanence of life. Flaira Ferro mixes organic traditional elements with modern rock, funk and pop, in a hybrid language, tropical and interactive. The instrumentation consists of accordion, flutes, synthesizers, drum machines and percussion that make direct references to rhythms of Brazilian popular culture such as frevo, capoeira, forró, caboclinho and maracatu. Adalu, Tropical Gold &amp; Flaira Ferro invite you to the launch event of their NGO Adalu Tropical in Brazil, founded in February 2023. The NGO&#x27;s goal is to build art and educational spaces for people in social need in Bahia and Pernambuco.

Ayom

Ayom are musical sailors who cross the black Atlantic from Brazil to Angola and Cape Verde with a distinctly Mediterranean identity. Their sound is a blend of Brazilian, Afro-Latin and Afro-Lusitanian sounds played with irresistible verve, as if the tropical sun were piercing dark clouds. The name Ayom refers to the Lord of Music who exists in Afro-Brazilian mithology (Candomblè) in Tambor and taught people how to make music and sing. The multicultural band consists of six members from Brazil, Angola, Italy and Greece, with the Brazilian singer and percussionist Jabu Morales at the center.

Last year, Orchestra Baobab, one of Africa&#x27;s greatest bands, celebrated its 50th anniversary. Its story begins in the heart of Dakar&#x27;s medina in Senegal in the late 1960s and stretches around the world and into the 21st century. The group of singers and musicians from all over the continent play a mixture of Afro and Latin American styles, international pop and traditional griot music. After last year&#x27;s sold-out concert, the band returns to Moods this August. Before and after the concert, DJs Afreekaya &amp; Voilà Tim will be spinning some tunes.

Minyo Crusaders

Bongos

What have almost forgotten Japanese folk songs got to do with a cumbia beat? The answer is Minyo Crusaders! The ten-piece collective reworks traditional Japanese folk songs called Min&#x27;yō with Latin music such as cumbia, Ethiopian jazz, Thai pop, Afro-funk and reggae. The result sounds a little crazy, but is absolutely brilliant in a great way. Minyo Crusaders are the most infectious and hottest global beat party since Buena Vista Social Club. Anyway, the punchy and inventive arrangements breathe new life into the old Japanese min&#x27;yō, which are also traditional workers&#x27; songs.

Disk Jockey

Singer and songwriter Luedji Luna is a prominent name in the Brazilian music scene. Winner of numerous awards and nominated for the Latin Grammy Best MPB Album in 2022, she soon achieved notoriety far beyond the country&#x27;s borders. Her music explores and celebrates the connections between her homeland and her African roots, and addresses the marginalizations of Afro-Brazilians and women in Brazil. This theme, coupled with her soulful voice, carries an infectious energy that is already palpable in her albums or online at the NPR Tiny Desk Concert, but especially unfolds live into an unforgettable musical experience. Afterwards DJ Sampa will play the best tracks from Forró, Samba-Rock, Gafieira and Tropicalia. This event takes place in cooperation with Adalu: https://www.adalu.ch/

Corin Curschellas & The Recyclers Reloaded

50-jähriges Bühnenjubiläum

The singer and composer from Graubünden has been on stage for 50 years. In recent years, she has become best known in this country for her adaptations of Romansh folk songs. It is almost forgotten that the &quot;Grande Dame of Chanzun Rumantscha&quot; has had a unique musical career. Between 1990 and 2010, she worked in Berlin, Paris, London, NYC and Vienna with an astonishing variety of international jazz greats. With her tour, Corin Curschellas celebrates her 50th stage anniversary with a band of her choice, made up of her former Parisian musical companions: guitarist Noël Akchoté, pianist Benoît Delbecq, drummer Steve Argüelles, accordionist Patricia Draeger and bassist Lukas Traxel.

Julie Campiche Quartet

Harp

Video

There are pieces that create a unique, poignant atmosphere with the very first note. &quot;Flash Info&quot; by the Julie Campiche Quartet is one of those. All four musicians use electronic effects to create a fragile yet powerful soundscape in which composition and improvisation are balanced. At the same time, the music leaves plenty of room to breathe and creates impressive sonic contrasts. Julie Campiche&#x27;s musical language is shaped by the big questions of her generation: the vast amounts of radioactive waste, multimedia sensory overload and the search for identity in the digital age.The musical language of experimental jazz harpist, singer, composer, producer and bandleader Julie Campiche is the result of constant curiosity and innovation in music and her great interest in the state of the world. Jazz, classical, electronic music and last but not least avant-garde traits permeate her music - exposing an immediate fragility that sometimes delicately, sometimes powerfully scratches the limit without ever exceeding it. In this way Campiche, who must be called a pioneer of harp jazz, has created her very own music that is unparalleled. Buy your Discoverer Ticket: https://qrco.de/bdutxz Discover the local jazz scene at an affordable price with the Discoverer Ticket for 49.- Swiss francs. It includes the following concerts: Sa 3. Juni • Sandman’s Calling • Plattentaufe «Fata Morgana» Mo 5. Juni • Garn Di 6. Juni • Julie Campiche Quartet  Fr 9. Juni • Florian Arbenz feat. Nelson Veras &amp; Hermon Mehari  Sa 10. Juni • Laura Schuler Quartett • Plattentaufe «Sueños Paralelos» So 11. Juni • Dalia Donadio • Plattentaufe «Zinnarella» Mo 12. Juni • Jochen Baldes • «Bloom Effect» Di 13. Juni • Matthieu Mazué Trio Do 15. Juni • Carte Blanche Rafael Schilt mit Rafael Schilt - Peter Frei - Paul Amereller

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KALI

The Zurich Kantonalbank encourages young, innovative Swiss bands with the ZKB Jazz Prize. The 15th edition of the ZKB Jazz Prize is a public six-day festival from 30th April to 5th May 2017 staged in Moods. For the finale on 5th May, the two jurors Elina Duni and Erik Truffaz will appear on stage with their musical collague Bugge Wesseltoft. In 2015 Raphael Loher and Urs Müller from Luzern and Nicolas Stocker from Zurich created the trio, Kali. Founded as a Working Band, they develop their own blend of contemporary classical, alternative rock and improvised music – as if Rage Against the Machine and Morton Feldman had a daughter. From wonderful minimalistic intermezzos to astonishingly catchy, dense and powerful compositions, they derive a broad, dynamic and stylistic range without ever losing their own sound.

Soul

Rap & R'n'B

Paolo Fresu & Daniele Di Bonaventura

Terri Lyne Carrington and Social Science

The starting point for the current project«Social Science» by Terri Lyne Carrington was the desire to comment on critical issues within today&#x27;s community. The drummer, producer and Grammy Award winner and her sextet reflect on themes such as social justice, racial equality and gender topics, in order to translate these views into music. The result is contemporary Jazz, enriched with Spoken Word and elements of R’n’B, Indie Rock and Classical music.

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