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Hommage an Sarah Vaughan: «The Divine One»

Zurich Jazz Orchestra feat. Sandy Patton

«A stunning voice»

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Sandy Patton VocalsReto Anneler AltsaxophonLukas Heuss AltsaxophonToni Bechtold TenorsaxophonMauro Reimann TenorsaxophonNils Fischer Baritone SaxophoneNicolas Jaeger TrumpetWolfgang Häuptli TrumpetBernhard Schoch TrumpetDaniel Schenker TrumpetAdrian Weber TromboneBernhard Bamert TromboneMaurus Twerenbold TromboneJonas Inglin BassposauneTheo Kapilidis GuitarGregor Müller PianoVito Cadonau BassNoah Weber Drum KitEd Partyka Director
In 2024 we will celebrate the centenary of the birth of Sarah Vaughan, one of the greatest jazz singers in history. Her career spanned almost five decades and she performed with a wide range of top jazz musicians and big bands. She won two Grammy Awards and was nominated for nine. In 1989 she was named an NEA Jazz Master and critic Scott Yanow wrote that she was '...one of the most wondrous voices of the 20th century'.
Sarah Vaughan began her professional career in the early 1940s as a singer in the big bands of Earl Hines and Billy Eckstine, where she met and sang with such jazz innovators as Charlie Parker, Dizzy Gillespie and Miles Davis. For most of her highly successful career she played in small jazz groups, but she returned to big bands on several occasions and in 1954 began a fruitful artistic partnership with Count Basie that lasted for decades. The last album Sarah Vaughan recorded with the Count Basie Orchestra was 'Send In The Clowns' in 1981, and Sandy Patton has preserved the Count Basie Orchestra's original arrangements, which she has generously shared with the Zurich Jazz Orchestra.

These original arrangements will form the core of the programme, and we will play some classic Count Basie instrumentals to complement the wonderfully swinging vocal charts. As always, the great ensemble playing and excellent soloists of the Zurich Jazz Orchestra will be featured.
  • Accessibility

    The lower floor of the club is at ground level and accessible without steps. There is one accessible bathroom which can be used with a Eurokey. The bar is not accessible and is approximately 1.20 metres high. Sensory stimuli: Most concerts are accompanied by moving lights and smoke. For sold-out or well-attended concerts, it is worth arriving early. Are you unable to stand for a long time or do you need other support for your visit? Then get in touch by email or phone: info@moods.ch or 044 276 80 00.

    More information on accessibility
  • Additional information about the tickets

    Moods members are guaranteed admission to every event until 30 minutes before the concert starts. Only shows with a high demand require a reservation. The corresponding concerts are marked on the website with "Member-Reservation".

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  • How to reach Moods

    Moods is reached via the main entrance of the Schiffbau at Schiffbauplatz. We recommend arriving by public transport (streetcar 4 or 8 / bus 72, 83 or 33 to Schiffbau; S-Bahn to Hardbrücke station and from there approx. 2 minutes on foot). Parking spaces are available under Hardbrücke and in the Pfingstweid-/Hardstrasse parking garage.

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