Welcome to Agadez, the capital of Saharan rock! With her dynamic repertoire of hypnotic solos and sun-bleached melodies, Etran de L'Aïr has earned themself a permanent place in the guitar music of Agadez.
While other Tuareg guitarists are oriented towards western rock, Etran de L'Aïr plays a pan-African style that is typical of their home town and quotes a variety of cultural influences: from northern Malian blues to Hausa bar bands to Congolese soukous. The music evokes the exuberance of a wedding in Agadez, with an overwhelming abundance of guitars, while simultaneous solos sweep over each other playfully and with restrained precision; powerful but never exuberant.
Supported by the Südkulturfonds.
Welcome to Agadez, the capital of Saharan rock! With her dynamic repertoire of hypnotic solos and sun-bleached melodies, Etran de L'Aïr has earned themself a permanent place in the guitar music of Agadez.
While other Tuareg guitarists are oriented towards western rock, Etran de L'Aïr plays a pan-African style that is typical of their home town and quotes a variety of cultural influences: from northern Malian blues to Hausa bar bands to Congolese soukous. The music evokes the exuberance of a wedding in Agadez, with an overwhelming abundance of guitars, while simultaneous solos sweep over each other playfully and with restrained precision; powerful but never exuberant.
Supported by the Südkulturfonds.