Ensemble Kiosk / Anushka Chkheidze / Kordz
Ending Pad
- Line-Up
- Tamriko Kordzaia TasteninstrumenteRussudan Meipariani Vocals, TasteninstrumenteChristian Wohlfahrt PercussionAnushka Chkheidze Electronics, VocalsAlexandre Kordzaia aka kordz Electronics, TasteninstrumenteSophie Krayer Szenografie
Set 1. Ensemble Kiosk
Set 2. Anushka Chkheidze
Set 3. Kordz
The term Ending Pad stands for an end point or a transitional space. rDepending on the context, it can mean the conclusion or the bridge to a new phase. Whether in games, narratives or systems - it marks the moment when one phase ends and a new one possibly begins.
In this sense, the title Ending Pad stands for the fact that an end is also a beginning. The pieces played are not self-contained, but merge into one another - like parts of a chain. They mark transitions, but do not close themselves off definitively, but open up new spaces. The material used was originally intended for something else and had been lying around on the hard drive as a sketch for years until the right moment ... Nevertheless, there is an end point: the concert marks the conclusion of the interdisciplinary cultural festival Brücke: Zurich-Tbilisi, which offers a wide range of exchange opportunities between the Georgian and Swiss art scenes and brings all participants and guests together in one space.
The Zurich ensemble Kiosk forms the core of the project, supported by the two remarkable Georgian musicians Anushka Chkeidze and Alexandre Kordzaia (aka Kordz) as well as the Zurich percussionist Christian Wolfarth.rrWith music by protagonists from the most diverse styles, genres and generations of the Georgian music scene, including Russudan Meipariani, Ioseb Kechakhmadze, Alexandre Kordzaia, Anushka Chkeidze, Nika Machaidze and others.
The concert was realized in cooperation with the Association “Georgische Kulturplattform”. The interdisciplinary cultural festival “Brücke: Zurich-Tbilisi” presents the current art and cultural scene in Georgia and deepens the cultural dialog between Switzerland and Georgia. It was founded in 2021 by the association: “Georgische Kulturplattform” in Zurich. The program includes various genres: art, film, literature, music and others.
Set 2. Anushka Chkheidze
Set 3. Kordz
The term Ending Pad stands for an end point or a transitional space. rDepending on the context, it can mean the conclusion or the bridge to a new phase. Whether in games, narratives or systems - it marks the moment when one phase ends and a new one possibly begins.
In this sense, the title Ending Pad stands for the fact that an end is also a beginning. The pieces played are not self-contained, but merge into one another - like parts of a chain. They mark transitions, but do not close themselves off definitively, but open up new spaces. The material used was originally intended for something else and had been lying around on the hard drive as a sketch for years until the right moment ... Nevertheless, there is an end point: the concert marks the conclusion of the interdisciplinary cultural festival Brücke: Zurich-Tbilisi, which offers a wide range of exchange opportunities between the Georgian and Swiss art scenes and brings all participants and guests together in one space.
The Zurich ensemble Kiosk forms the core of the project, supported by the two remarkable Georgian musicians Anushka Chkeidze and Alexandre Kordzaia (aka Kordz) as well as the Zurich percussionist Christian Wolfarth.rrWith music by protagonists from the most diverse styles, genres and generations of the Georgian music scene, including Russudan Meipariani, Ioseb Kechakhmadze, Alexandre Kordzaia, Anushka Chkeidze, Nika Machaidze and others.
The concert was realized in cooperation with the Association “Georgische Kulturplattform”. The interdisciplinary cultural festival “Brücke: Zurich-Tbilisi” presents the current art and cultural scene in Georgia and deepens the cultural dialog between Switzerland and Georgia. It was founded in 2021 by the association: “Georgische Kulturplattform” in Zurich. The program includes various genres: art, film, literature, music and others.
Door opening
Start
CHF 35.–
Accessibility
The lower floor of the club is at ground level and accessible without steps. There is one accessible bathroom which can be used with a Eurokey. The bar is not accessible and is approximately 1.20 metres high. Sensory stimuli: Most concerts are accompanied by moving lights and smoke. For sold-out or well-attended concerts, it is worth arriving early. Are you unable to stand for a long time or do you need other support for your visit? Then get in touch by email or phone: info@moods.ch or 044 276 80 00.
More information on accessibilityAdditional information about the tickets
Moods members are guaranteed admission to every event until 30 minutes before the concert starts. Only shows with a high demand require a reservation. The corresponding concerts are marked on the website with "Member-Reservation".
Link zu den NewsHow to reach Moods
Moods is reached via the main entrance of the Schiffbau at Schiffbauplatz. We recommend arriving by public transport (streetcar 4 or 8 / bus 72, 83 or 33 to Schiffbau; S-Bahn to Hardbrücke station and from there approx. 2 minutes on foot). Parking spaces are available under Hardbrücke and in the Pfingstweid-/Hardstrasse parking garage.
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