IOIC, Misterioso Jazz Club and Moods present:
«Chicago» live vertont vom Satoko Fujii Quartet
«An American crime comedy from the year 1927»
- Line-Up
- Natsuki Tamura TrumpetSatoko Fujii PianoTakeharu Hayakawa BassTatsuya Yoshida Drum KitDJ Misterioso Disk Jockey
- Genre
- Free Improvisation
The movie:
Roxy Hart is sexy, jazz-loving and dressed to kill. She has a doting, handsome husband and a gold-digging affair with another man who pays and pays, ultimately with his life. When Roxie is put on trial for murder, she hires a lawyer who is both the mafia's mouthpiece and a PR agent. She hits the headlines and the courtroom drama takes its course. This satirical story about sex and murder is an entertaining mixture of humor and melodrama and at the same time a sharp criticism of sleaze journalism. Although Frank Urson was the director, it is essentially the work of Cecil B. DeMille, who apparently felt it inappropriate to take full credit for this cynical and secular story while his religious spectacle THE KING OF KINGS was still in theaters.
The music:
The film is scored by the Satoko Fujii Quartet with Satoko Fujii on piano, Natsuki Tamura on trumpet, Takemura Hayakawa on electric bass and Tatsuya Yoshida on drums. The quartet reunited last year after a break of 15 years and was enthusiastically received: The rhythm section drives the music forward at breakneck speed, sometimes giving it a rock rather than a boppy feel, or something in between. Fujii's compositions are wonderfully complex, with rhythm and tempo changes, long unison lines and brilliantly dense arrangements. Both Fujii and Tamura are in excellent form. This music has a very free character, but the discipline and skill of the four musicians is best shown in the transitions between the improvised and arranged moments.
Before and after the movie, DJ Misterioso will present selected gems from his vinyl collection.
The evening takes place in collaboration with the IOIC - Institute of Incoherent Cinematography and the Misterioso Jazz Club.
Roxy Hart is sexy, jazz-loving and dressed to kill. She has a doting, handsome husband and a gold-digging affair with another man who pays and pays, ultimately with his life. When Roxie is put on trial for murder, she hires a lawyer who is both the mafia's mouthpiece and a PR agent. She hits the headlines and the courtroom drama takes its course. This satirical story about sex and murder is an entertaining mixture of humor and melodrama and at the same time a sharp criticism of sleaze journalism. Although Frank Urson was the director, it is essentially the work of Cecil B. DeMille, who apparently felt it inappropriate to take full credit for this cynical and secular story while his religious spectacle THE KING OF KINGS was still in theaters.
The music:
The film is scored by the Satoko Fujii Quartet with Satoko Fujii on piano, Natsuki Tamura on trumpet, Takemura Hayakawa on electric bass and Tatsuya Yoshida on drums. The quartet reunited last year after a break of 15 years and was enthusiastically received: The rhythm section drives the music forward at breakneck speed, sometimes giving it a rock rather than a boppy feel, or something in between. Fujii's compositions are wonderfully complex, with rhythm and tempo changes, long unison lines and brilliantly dense arrangements. Both Fujii and Tamura are in excellent form. This music has a very free character, but the discipline and skill of the four musicians is best shown in the transitions between the improvised and arranged moments.
Before and after the movie, DJ Misterioso will present selected gems from his vinyl collection.
The evening takes place in collaboration with the IOIC - Institute of Incoherent Cinematography and the Misterioso Jazz Club.
further links
- More concerts from the genres
- JazzExperimental
Accessibility
The lower floor of the club is at ground level and accessible without steps. There is one accessible bathroom which can be used with a Eurokey. The bar is not accessible and is approximately 1.20 metres high. Sensory stimuli: Most concerts are accompanied by moving lights and smoke. For sold-out or well-attended concerts, it is worth arriving early. Are you unable to stand for a long time or do you need other support for your visit? Then get in touch by email or phone: info@moods.ch or 044 276 80 00.
More information on accessibilityAdditional information about the tickets
Moods members are guaranteed admission to every event until 30 minutes before the concert starts. Only shows with a high demand require a reservation. The corresponding concerts are marked on the website with "Member-Reservation".
Link zu den NewsHow to reach Moods
Moods is reached via the main entrance of the Schiffbau at Schiffbauplatz. We recommend arriving by public transport (streetcar 4 or 8 / bus 72, 83 or 33 to Schiffbau; S-Bahn to Hardbrücke station and from there approx. 2 minutes on foot). Parking spaces are available under Hardbrücke and in the Pfingstweid-/Hardstrasse parking garage.
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