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Franziska Bruecker – SALON OUTSIGHT

Bernadette Köbele: I like patriarchy and patriarchy likes me *stage

«Grit your teeth a bit, then it'll all be fine.»

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Bernadette Köbele Performance, Video, Composition, Cello, Electronics, Vocals
I hope you have your pass, we are entering patriarchal territory, or have you been kindly invited by someone? You're going to have to grit your teeth a bit at rehearsal, then it'll all be fine, you should just do a female solo – here's a little masterclass with Beuys (perfect master) and Ariadne auf Naxos (perfect victim) and everything will be sensational!

Participants:
Concept, composition and performance: Bernadette Köbele
Dramaturgy: Michael Kleine
Costume: Chiara Alissa Estivariz Lopez
Thanks to Husky Toby & Claudia Blum, Philipp Köbele
Many thanks to the kind support of Fachstelle Kultur Kanton Zürich

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Franziska Bruecker – SALON OUTSIGHT

Margaux Huber: Le Gay Printemps, short cut geraniums stage version

« A temporal breach out of oppressions and imposed norms»

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Margaux Huber Sound Art, Spoken Word
"Le Gay Printemps, short cut geraniums stage version", is a garden, is a sound piece collage proposed as a temporal breach out of oppressions and imposed norms.
Here poetry, in its experimental dimension, is a form of resistance a place to take shelter that belong to new spaces and other possibilities of being.

Franziska Bruecker – SALON OUTSIGHT

Franziska Bruecker: Essay On Distance

«Every body on stage is exposed to gazes.»

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Franziska Bruecker Electronics
In her audio performance "Essay On Distance", Franziska Bruecker explores distance as a protective mechanism and as a way of thinking about the female body as it is read on the music stage. Every body on stage is exposed to gazes, but not everyone deals with this experience in the same way, and not every body is exposed to the same gazes. "Essay On Distance" plays with the gaze and its power, using its ambivalence as a driving force.

Franziska Bruecker – SALON OUTSIGHT

Naira Ramos: Bitch Pose

«A radical response»

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Naira Ramos Video, Body, Playback
The performance "Bitch Pose" examines the influence of the male gaze on the female body. With "Bitch Pose", Naira Ramos aims to challenge the western ideal of beauty and regain control over one's own body. Her performance is a radical response to the social pressures placed on the female body and calls for a redefinition of traditional notions of femininity and beauty.

Franziska Bruecker – SALON OUTSIGHT

Sonia Loenne: Moving In

«Sonia Solo and the Sexist Shit Medley are back!»

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Sonia Loenne Vocals, Playback
Singing is ugly. Singing is exhausting. Singing is close. Singing is physical. I disperse from my head into my body. I become many. All my friends. All the variations of myself. My chorus pedal. My overdrive. The printer. The office carpet. Sonia Solo and the Sexist Shit Medley are back! This time as part of Salon Outsight and "Women on stage - looks and views".

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  • Accessibility

    The lower floor of the club is at ground level and accessible without steps. There is one accessible bathroom which can be used with a Eurokey. The bar is not accessible and is approximately 1.20 metres high. Sensory stimuli: Most concerts are accompanied by moving lights and smoke. For sold-out or well-attended concerts, it is worth arriving early. Are you unable to stand for a long time or do you need other support for your visit? Then get in touch by email or phone: info@moods.ch or 044 276 80 00.

    More information on accessibility
  • Additional information about the tickets

    Moods members are guaranteed admission to every event until 30 minutes before the concert starts. Only shows with a high demand require a reservation. The corresponding concerts are marked on the website with "Member-Reservation".

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  • How to reach Moods

    Moods is reached via the main entrance of the Schiffbau at Schiffbauplatz. We recommend arriving by public transport (streetcar 4 or 8 / bus 72, 83 or 33 to Schiffbau; S-Bahn to Hardbrücke station and from there approx. 2 minutes on foot). Parking spaces are available under Hardbrücke and in the Pfingstweid-/Hardstrasse parking garage.

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